AustLit
Alternative title:
ABR
Issue Details:
First known date:
2016...
no.
383
August
2016
of
Australian Book Review
est. 1961
Australian Book Review
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Notes
-
Includes the ABR Jolley Prize 2016 shortlisted short story 'The Water Calligrapher's Women' by British writer, Jonathan Tel
Contents
* Contents derived from the 2016 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- Poet in the Family, single work correspondence (p. 6)
-
The Distancing of Bernard Smith : An Eloquent Biography of Bernard Smith,
single work
review
— Review of Hegel's Owl : The Life of Bernard Smith 2016 single work biography ; (p. 20) - Ash, single work short story (p. 23)
-
Inherited Loss,
single work
review
— Review of The Memory Artist 2016 single work novel ; (p. 28) -
Ava and Eve,
single work
review
— Review of The Last Days of Ava Langdon 2016 single work novel ; (p. 31) -
Glisk,
single work
short story
'We are wading out, the five of us. I remember this. The sun an hour or two from melting into the ocean, the slick trail of its gold showing the way we will take.'
-
Review : Their Brilliant Careers,
single work
review
— Review of Their Brilliant Careers : The Fantastic Lives of Sixteen Extraordinary Australian Writers 2016 selected work short story ; (p. 43) -
Review: 'Portable Curiosities' by Julie Koh,
single work
review
— Review of Portable Curiosities 2016 selected work short story ; (p. 44) -
Review : Goldstone,
single work
review
— Review of Goldstone 2016 single work film/TV ; (p. 45) -
Review : 'Music and Freedom' by Zoë Morrison,
single work
review
— Review of Music and Freedom 2016 single work novel ; (p. 48) -
The Clarion Call of History,
single work
review
— Review of The Art of Time Travel : Historians and Their Craft 2016 multi chapter work criticism biography ; (p. 52-57) -
Satan Repentant,
extract
sequence
poetry
'Set in the modern day, Satan Repentant is a book-length poem about revenge, resentment, and remorse, telling a new myth of what would happen if Satan tried to apologise and atone for all his crimes. Through that story, it explores ideas of power, of authority to judge right and wrong, and the dignity and shame that can be attached to admitting fault or insisting on self-righteous innocence.' (Introduction 52)
- Satan Knows Self-regreti"I sing of nothing", single work poetry (p. 52-57)
- The Enemy Approaches Peteri"On burnt and broken pinions", single work poetry (p. 52-57)
- Beelzebub Reissues His Spyi"'That one's a charm, ridiculous", single work poetry (p. 52-57)
- The Enemy Reapproaches Peteri"Arrived once more", single work poetry (p. 52-57)
- Satan Is Allowed an Audience with God's Chamberlaini"The gatekeeper staring made no sign, save", single work poetry (p. 52-57)
- Satan's Audience with Godi"The kingdom's chancellor, that", single work poetry (p. 52-57)
- Satan Makes His Apologyi"He lifted his gaze but it fell askance.", single work poetry (p. 52-57)
- God Respondsi"'Before you do this thing, before", single work poetry (p. 52-57)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 4 Jun 2018 09:55:37