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Carissa Lee Carissa Lee i(9630383 works by) (a.k.a. Carissa Lee Godwin)
Gender: Female
Heritage: Aboriginal ; Aboriginal Wemba Wemba
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Works By

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1 How Acting Saved My Life Carissa Lee , 2023 single work column
— Appears in: Kill Your Darlings [Online] , March 2023;

'At a crossroads in my life, an audition put me on a new path. While it hasn’t been easy navigating an industry that has so many race and class barriers, the performing arts have helped me find joy and connection, learn about our varied cultures and tell Blak stories with integrity.' (Introduction)

1 Hannah Gadsby : Ten Steps to Nanette Carissa Lee , 2022 single work review
— Appears in: The Saturday Paper , 2-8 April 2022;

— Review of Ten Steps to Nanette Hannah Gadsby , 2022 single work autobiography

'Hannah Gadsby’s memoir Ten Steps to Nanette covers her life from her childhood up to Nanette, the Netflix stand-up that shot her to global fame. However, she says very clearly she doesn’t want this book to be seen as “rags to riches inspiration porn”.' 

1 Terri Janke, True Tracks : Respecting Indigenous Knowledge and Culture Carissa Lee , 2021 single work review
— Appears in: The Saturday Paper , 21-27 August 2021;

— Review of True Tracks : Respecting Indigenous Knowledge and Culture Terri Janke , 2021 multi chapter work information book

'True Tracks by Wuthathi/Meriam solicitor Dr Terri Janke is a comprehensive guide to Indigenous cultural intellectual property (ICIP) across various fields, including – but not limited to – visual art, performance art and cultural practices. This is a comprehensive read, ideal for non-Indigenous people pursuing cross-cultural partnerships with Indigenous people. But most importantly, it gives First Nations readers the tools to understand their legal rights around cultural property.' (Publication summary)

1 Elfie Shiosaki, Homecoming Carissa Lee , 2021 single work review
— Appears in: The Saturday Paper , 15-21 May 2021;

— Review of Homecoming Elfie Shiosaki , 2021 selected work poetry prose
1 [Review] Performing Indigenous Identities on the Contemporary Australian Stage : Land, People, Culture Carissa Lee , 2020 single work review
— Appears in: Australasian Drama Studies , October no. 77 2020; (p. 369-373)

— Review of Performing Indigenous Identities on the Contemporary Australian Stage : Land, People, Culture Susanne Thurow , 2020 multi chapter work criticism

'The history chapter could have been better organised. Because these sectioned topics were oddly placed, it interfered with the flow of this chapter. In addition to the creation of the play, Thurow includes the equally important role that Big hART played with members of the Arrernte community, through Pitjantjatjara language maintenance and creating employment and skill development opportunities for marginalised communities across the APY lands. Thurow explores the problematic association of 'authenticity' with outdated images and assumptions of what Indigenous stories should look like, but at the same time she is contributing to this by using an outdated an inaccurate term 'traditional' when referring to the cultural practices of Indigenous people.' (Publication abstract)

1 Arms of a Friend i "How many hearts have broken beneath your arms", Carissa Lee , 2017 single work poetry
— Appears in: Australian Poetry Journal , vol. 7 no. 2 2017; (p. 80)

Author's note: For Monterey Cypress / Origin: Mexico, South America

1 Shedding the ‘Victim Narrative’ for Tales of Magic, Myth and Superhero Pride Carissa Lee , 2016 single work column
— Appears in: The Conversation , 9 June 2016;
'One of the things I love about my culture is the sense of magic within it. Everything was created from some greater power, and I can see why elders worry that our young people are losing that sense of magic, of wonder, within the oldest living culture in the world. ...'
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