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form y separately published work icon The Front Room Boys single work   radio play  
Adaptation of The Front Room Boys : A Play in Twelve Scenes Alex Buzo , 1969 single work drama
Note: The author of the adaptation has not been traced.
Issue Details: First known date: 1976... 1976 The Front Room Boys
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AbstractHistoryArchive Description

'The story of a year in an Australian office, month by month.'

Source: Radio Times, 22 January 1976, p.25.

Exhibitions

8013859
7974109

Production Details

  • Broadcast on BBC Radio 3 on 25 January 1976, from 7:05pm.

    Producer: Martin Esslin.

    Music: Martin Goldstein.

    Cast members included Nigel Graham (Robbo), Bruce Beeby (Thomo), James Smilie (Gibbo), Trader Faulkner (Presto), Mark McManus (Jacko), Paul Bertram (Vittorio), Madi Hedd (Sundra), Geoffrey Matthews (Hendo), and Andonia Katsaros (Pammy).

    (Production details via Radio Times, 22 January 1976, p.22)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • c
      United Kingdom (UK),
      c
      Western Europe, Europe,
      :
      British Broadcasting Corporation (BBC) ,
      1976 .
      Series: form y separately published work icon The New Australian Drama United Kingdom (UK) : British Broadcasting Corporation (BBC) , 1975-1976 7952756 1975 series - publisher radio play

      A series of Australian plays adapted as radio plays for BBC's Radio 3 between November 1975 and January 1976.

      The series was introduced by Katharine Brisbane in a piece broadcast on 23 November 1975, and the first play in the series, Peter Kenna's A Hard God, was broadcast on 26 November 1975.

      The plays are listed below in broadcast order.

      Number in series: 6

Works about this Work

The Front Room Boys and New Wave Theatre Julian Meyrick , 2017 single work criticism
— Appears in: The Conversation , 15 February 2017;

''Fucken boong'. With these words Australian theatre entered the swinging sixties – eight years after the decade began.

The two profanities capture the spirit of rebellion that characterised a new generation of theatre artists. They are the last line of Alex Buzo’s play Norm and Ahmed (1968) and the actors who uttered them were prosecuted for obscenity when it was produced in Queensland and Victoria.' (Introduction)

The Front Room Boys and New Wave Theatre Julian Meyrick , 2017 single work criticism
— Appears in: The Conversation , 15 February 2017;

''Fucken boong'. With these words Australian theatre entered the swinging sixties – eight years after the decade began.

The two profanities capture the spirit of rebellion that characterised a new generation of theatre artists. They are the last line of Alex Buzo’s play Norm and Ahmed (1968) and the actors who uttered them were prosecuted for obscenity when it was produced in Queensland and Victoria.' (Introduction)

Last amended 20 Oct 2014 13:27:10
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