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'Welcome to Issue 4 of The Saltbush Review. We are thrilled to be able to bring you another edition of fiction, non-fiction and poetry, and to continue in our project of connecting the South Australian literary community of readers and writers with international writers and audiences. We are constantly grateful to Arts SA for funding our third and fourth issues, and enabling us to pay both our writers and our editors for their work.' (Editorial introduction)
Notes
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Only literary material by Australian authors individually indexed. Other material in this issue includes:
A Country Between Two People by Verity
The University by Clayton Bradshaw-Mittal
Tidemarked by Ren Wednesday
Grendel’s Mother Considers Therapy by Nadia Arioli
Breaking/Not Breaking by Mark Dimaisip
Fever Dreaming by Kate Kobosko
Fibonacci Sequence Including Several Hands, Minimal Choreography by Liam Strong
Whiff by Abdulkareem Abdulkareem
Xaymaca by Trish Tavares
Partings by Matt Daly
Thoughts on Belongings by Purbasha Roy
A Definitive History of Quitting by Samodh Porawagamage
Contents
- What It Feels Like To Die (Fragments from a Memoir), single work autobiography
- 'To Perish - of Delight' : An Erotics of Fragments, single work prose
- Little Jokes That Nobody but Me Will Understand, single work prose
- Birth Mnemonics, single work prose
- A Pair of Lobsters, single work prose
- Don’t Be Difficult, single work short story
- Love in the Time of Carparks, single work short story
- Glass, single work short story
- Salvage, single work short story
- A Blessing, single work short story
- Still, single work
- It Started at the Sump, single work short story
- Joy, single work short story
- The Killer, single work short story
- Nostalgia Filter, single work
- Jack's Room, single work short story
- After the Pandemici"Hike from Avebury to Stonehenge", single work poetry
- Diary Entry (17/4)i"I have not written a single word. Things pile up, which is not an excuse. I urge myself to", single work poetry
- Pill Box for an Angelfishi"Rosy pipe on a bone /", single work poetry
- The Room Closesi"in front of the doorway’s a mirror, it’s critical positioning, there are sliver-thin streaks and a", single work poetry