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Issue Details: First known date: 2023... 2023 Close to the Subject
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'I'm a storyteller — nothing more. Rather than break stories, I've been broken by them. I've never won a Walkley, or even been nominated for one. But then, I decided to spend nearly three decades of my life in a highly competitive industry driven by ego and the cult of personality, fortified by whiteness and normativity. A place where I have never really belonged, patrolled by those with an inborn unquestioned objectivity — the heritable right of whiteness. The Iie of that objectivity, that anyone can pretend they are without biases or that they can be excised from their work, has been exposed. In the global reckoning with power spurred by the Black Lives Matter movement, the crisis of objectivity in journalism (at least in the English-speaking world) has been experienced as something of a delayed reaction. Perhaps that's because the profession is so blindingly white. In 2023, we have reached critical mass globally in terms of black and non-white journalists, who are largely responsible for the yielding we see in many newsrooms and media organisations. Now, my embedded blackfella subjectivity and my closeness to the subject of my journalistic enquiry — other blackfellas — is considered to be an asset rather than a liability.' 

(Introduction)

 
 

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Overland no. 251 Winter 2023 26845190 2023 periodical issue

    'New fiction, poetry, and essay from literary luminaries such as Daniel Browning, Bill Gammage, Jen Craig, Rico Craig, Luoyang Chen, Jane Downing, and Jo Langdon. Featuring cover art from Liss Fenwick's haunting Humpty Doom series.' (Publication summary)

    2023
    pg. 46-52
Last amended 14 Sep 2023 08:27:22
46-52 Close to the Subjectsmall AustLit logo Overland
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