AustLit

'Since the invasion of Australia in 1788, First Nations Peoples have been forced into the literary images of the colonisers. We have been described as noble savages, vermin, half-castes, temptresses, and problems, just to name a few. Our entrapment in the literary canon of the invading settlers is what constructed and maintained the colonial mythscape of the modern nation of Australia.' (Introduction)

'The death of an author can be an awkward subject for critics. Death calls for empathy, goodwill (however retrospective), and mourning. The genres appropriate to it – elegy, eulogy, obituary – tend to be ones that burnish the subjective. Faults may be mentioned but only as part of a wholistic appraisal of a life whose worth is ultimately affirmed. This sits in tension with criticism’s objective register and the open-ended nature of interpretation and judgement. Affirmation can come across as sentimental, objective appraisal as heartless or ‘too soon’. Perhaps death is a moment when critics ought to keep their thoughts to themselves.' (Introduction)

'Picture Trent Dalton sitting on a Brisbane street corner. A typewriter on a folding table in front of him, a hand-made sign stuck to it, upon which is written the words, ‘sentimental writer seeks stories’. Here he is, the most bankable Australian writer of the decade: a storyteller on the street, a man on the tools, a displaced sentimental bloke trying to make sense of twenty-first century life. And this is how he wrote his latest book, a work of non-fiction called Love Stories, the title of which is self-explanatory. Dalton has kept the ecstasy and epiphany dials turned to eleven since the release of Boy Swallows Universe in 2018 – and Australian readers love him.' (Introduction)

'Death’s intrusion upon love is an old complaint. Philosophically, in Western Europe, it may have emerged as a problem in response to ideas of human limitation in Lucretius’ De Rerum Natura. This was early materialist thinking intended to prepare the late Roman mind for the finitude of life, belief, control and pleasure. The poetry of death-in-love is another matter. It is characterised by rage, disbelief and helplessness. It is ancient and myriad.' (Introduction)