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'A disclosure: before being asked to do this lecture, I had never read a word of Stow. When I was nineteen, I left Western Australia to study in Singapore. When I graduated, I stayed. If leaving was an intentional turning away from a cultural lineage, or canon, then staying was a decisive choice towards another. Reading, after all, is political—more political, perhaps, than writing itself. Later, when I did return, and began to write, it was the Queer Singaporean and Singapore-based writers and artists I had encountered who formed my creative ancestry and who I felt I might exist in conversation with, if I were to exist in this space at all. But any residence forms lineages, and in returning to live on this land—where I hold legal citizenship, enforced by the world's dependence on borders and the nation-state, and where I was born—authorial ancestries are free to entangle, be speculated over and perhaps even transformed.' (Introduction)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 17 Jul 2023 13:14:56
Subjects:
- The Merry-Go-Round in the Sea 1965 single work novel
- To the Islands 1958 single work novel
- Visitants 1979 single work novel
- The Girl Green as Elderflower 1980 single work novel
- The Suburbs of Hell : A Novel 1984 single work novel
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