AustLit
Heartbreak for Kookaburras
single work
"There was one metaphor that God decided to keep. A teahouse,"
Issue Details:
First known date:
2023...
2023
Heartbreak for Kookaburras
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All Publication Details
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Appears in:
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y
Overland
no.
249
Summer
2023
26017321
2023
periodical issue
''Overlanding', as in droving cattle across country at distance, waxed as a literary trope precisely as it waned as a means of labour. Like its dialectical opposite the Squatter, the Overlander is etymologically multiple, meaning both the drover who is employed and respectable. and the sundowner, who is itinerant and suspect. In the Australian social imaginary, one is elevated to a culture hero and a symbol of belonging, the other indexes the repressed cognisance of the settler as a predatory interloper. One of the innovations of Leah Purcell's adaptations of Lawson's 'The Drover's Wife' demonstrates the coextension of these types. The writing in our latest issue is animated by the problems and revelations of interiority. Elias Greig's illuminating discussion of nativist paranoia in Heather Rose's novel Bruny demonstrates the persistence of perennial settler fantasies of replacement. Through a more intimate lens. EI Clarence's personal essay 'Dovetails' traces the ongoing psychological disconnections wrought by Australian forced adoption policies. The recurrence and recursion of the nominal past is also the subject of Natalia Figueroa Barroso's graceful hybrid essay on linguistic loss and transformation. 'A guide to the colonisation of my mother tongues.' (Publication summary)
2023 pg. 67
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y
Overland
no.
249
Summer
2023
26017321
2023
periodical issue
''Overlanding', as in droving cattle across country at distance, waxed as a literary trope precisely as it waned as a means of labour. Like its dialectical opposite the Squatter, the Overlander is etymologically multiple, meaning both the drover who is employed and respectable. and the sundowner, who is itinerant and suspect. In the Australian social imaginary, one is elevated to a culture hero and a symbol of belonging, the other indexes the repressed cognisance of the settler as a predatory interloper. One of the innovations of Leah Purcell's adaptations of Lawson's 'The Drover's Wife' demonstrates the coextension of these types. The writing in our latest issue is animated by the problems and revelations of interiority. Elias Greig's illuminating discussion of nativist paranoia in Heather Rose's novel Bruny demonstrates the persistence of perennial settler fantasies of replacement. Through a more intimate lens. EI Clarence's personal essay 'Dovetails' traces the ongoing psychological disconnections wrought by Australian forced adoption policies. The recurrence and recursion of the nominal past is also the subject of Natalia Figueroa Barroso's graceful hybrid essay on linguistic loss and transformation. 'A guide to the colonisation of my mother tongues.' (Publication summary)
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