AustLit
Latest Issues
AbstractHistoryArchive Description
'Historians have long understood ocker cinema in terms of a more distinct and assertive national identity in Whitlam’s 1970s, yet only recently have begun to consider the context of the women’s liberation movement unfolding at the time. Adding to this emerging body of scholarship, this article reads the rise of ocker cinema both in the context of, and as a response to, second-wave feminism. Turning to the films Stork (1971), The Adventures of Barry McKenzie (1972) and Alvin Purple (1973), this article argues that the cinematic articulation of the ocker in the 1970s not only asserted a masculinist national identity, but also positioned this national masculinity as the victim of (and in danger from) threatening feminist challenges.' (Publication abstract)
Publication Details of Only Known VersionEarliest 2 Known Versions of
- The Adventures of Barry McKenzie 1972 single work film/TV
- Alvin Purple 1973 single work film/TV
- Stork 1971 single work film/TV