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Appears in:
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TEXT Special Issue
Digital Realism
no.
69
2022
25658613
2022
periodical issue
'The COVID-19 pandemic has seen a heavy reliance on digital technologies: workplaces and classrooms have retreated to Zoom meetings; online video game narratives and streaming services have become a staple of contemporary entertainment; and social media pervades our life and seeks to distract us at every turn. Existence is now infused with non-human computer language. Even contemporary print texts display what N.K. Hayles calls the “mark of the digital” (2008, p. 159). Hayles (2008) argues that contemporary literature is deeply
interpenetrated by electronic textuality:digital technologies do more than mark the surfaces of contemporary print novels. They also put into play dynamics that interrogate and reconfigure the relations between authors and readers, humans and intelligent machines, code and language… More than a mode of material production (although it is that), digitality has become the textual condition of the twenty-first-century literature. (p. 186) (Publication abstract)
2022
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