AustLit logo

AustLit

y separately published work icon Andromeda Spaceways Magazine periodical issue  
Issue Details: First known date: 2022... no. 88 September 2022 of Andromeda Spaceways Inflight Magazine est. 2002 Andromeda Spaceways Magazine
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Welcome aboard yet another flight! We’ve ensured all the seams are properly tightened and we’ve had a double layer of duct tape applied for your comfort, if you consider breathing atmo both important and comfortable. Note that due to budget cuts this double duct tape is only applied to seams in the first class compartment and to the airlock seams between the first class and economy compartments.' (Editorial introduction)

Notes

  • Only literary material by Australian authors individually indexed. Other material in this issue includes: 

    And Then, the Glide …W J Tattersdill

    A Binding to Set You Free …Răzvan-Gabriel Popa

    The Economics of Death …Nnadi Samue

    The Bloody Mary Coup …Aaron Nobes

    Her Last Term …Calie Voorhis

    Dermographia …Colleen Anderson

    Never Be Missed …Nyx Kain

    Moonshot Projects …Lucy Zhang

    Go-slow on the axis of Neverland …Sophia N Ashley


    Reviews of international works by Jessica Nelson-Tyers, 

Contents

* Contents derived from the 2022 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The Broken Carousel, Helena O'Connor , single work short story (p. 31-38)
Renovation Makeover, Michael Gardner , single work short story (p. 75-84)
Redoubt, Joel Green , single work (p. 93-108)
[Review] Every Version of You, Justin Hickey , single work review
'Nearly sixty percent of the world’s population uses social media. For individuals, that means logging in to Facebook, Instagram, or TikTok to engage with friends— and enemies—in a stream of algorithmically-tailored content. “Engaging” in the last decade has come more and more to mean “grow incensed by” someone’s creation or comment. The omnipresence of trolls and product influencers make these platforms not unlike a mall food court, where the rich, loud, and insecure hold ultimate sway. The sane among us have to wonder: is there any hope left for a digital realm that excites and inspires us?' (Introduction)
(p. 112-113)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 7 Nov 2022 11:28:46
Newspapers:
    Powered by Trove
    X