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'Contemporary farming often involves more machines, access to information, and public pressure to protect or regenerate non-human nature than in the past. However, this is scarcely reflected in the farm novel, which is largely bound to an historical era. Australian farm novels include Benjamin Cozens’ Princess of the Mallee (1903), John Naish’s The Cruel Field (1962), Randolph Stow’s The Merry-Go-Round in the Sea (1965), and Carrie Tiffany’s Everyman’s Rules for Scientific Living (2005). Each feature realism and pre-1960s settings. In this article, I propose a major revision of the farm novel by employing magic realism to challenge Australia’s realist representations of farming as a rational, money-making enterprise. Magic realism allows me to position Australia’s dominant profit-driven approach to agriculture as fantasy and hopefully to stimulate new notions of farming and the farmer. By casting sugarcane and machines as a colonial farming alliance and humans as their marginalized subjects, I draw attention to a gradual depopulation of rural lands, subvert a persistent anthropocentric element of the settler-colonial ideology, and challenge notions of humans controlling the farm. This article is also a case study in a performance of John Kinsella’s international regionalism (He, 2021; Kinsella, 2001), in which Australia’s Wet Tropics connects with creative writing discourse.' (Publication abstract)
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Last amended 4 Nov 2022 08:56:39
https://textjournal.scholasticahq.com/article/40224-writing-an-australian-farm-novel-connecting-regions-via-magic-realism
Writing an Australian Farm Novel : Connecting Regions Via Magic Realism
TEXT : The Journal of the Australian Association of Writing Programs
Subjects:
- The Princess of the Mallee : A Typical Story of Australian Life in the Mallee 1903 single work novel
- The Cruel Field 1962 single work novel
- The Merry-Go-Round in the Sea 1965 single work novel
- Everyman's Rules for Scientific Living 2003 single work novel
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