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'Susan Midalia’s Miniatures is a provocative collection of short short stories casting an unflinching eye on modern social issues and themes: from family dynamics, climate change and the value of reading and writing to national and gender identity.
'Satiric, compassionate, poignant and witty, these technically deft and inventive stories reveal the vexations, absurdities and hidden desires of parents and children, lovers, politicians, and those who delight in the power of the written word.' (Publication summary)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Much in Little : Three New Short Story Collections
2022
single work
review
— Appears in: Australian Book Review , December no. 449 2022; (p. 47-48)
— Review of Miniatures : A Collection of Short Short Stories 2022 selected work short story ; Bloodrust and Other Stories. 2022 selected work short story ; Women I Know 2022 selected work short story'What is a short short story? More specifically, how short is it (or how long)? The most famous tiny example is attributed to Ernest Hemingway: ‘For sale: baby shoes, never worn.’ Whether he wrote this or not, it represents the gold standard in suggesting much in little. Like poetry, microstories or flash fictions allow no formal wobbling as authors tread a perilous tightrope between banality and inspired ingenuity.' (Introduction)
-
Much in Little : Three New Short Story Collections
2022
single work
review
— Appears in: Australian Book Review , December no. 449 2022; (p. 47-48)
— Review of Miniatures : A Collection of Short Short Stories 2022 selected work short story ; Bloodrust and Other Stories. 2022 selected work short story ; Women I Know 2022 selected work short story'What is a short short story? More specifically, how short is it (or how long)? The most famous tiny example is attributed to Ernest Hemingway: ‘For sale: baby shoes, never worn.’ Whether he wrote this or not, it represents the gold standard in suggesting much in little. Like poetry, microstories or flash fictions allow no formal wobbling as authors tread a perilous tightrope between banality and inspired ingenuity.' (Introduction)