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Issue Details: First known date: 2022... 2022 “Looking at Him, How It Hurt” : Tsiolkas’s Merciless Gods and Conjectural Literary Space
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AbstractHistoryArchive Description

'The short stories in Christos Tsiolkas’s Merciless Gods (2014) offer perhaps his most complete and comprehensive portrait of the contemporary world. This assertion goes against conventional wisdom, especially in postcolonial literature, where the novel has long been a privileged form of speaking truth from the periphery to the centre, and in Australian literature, where what Timothy Brennan calls the “national longing for form” has typically dictated generic decisions. Tsiolkas achieves a greater coverage through fragmentation than through an ambitious total novel, particularly because of the juxtaposition of shocking detail and a fundamental and wholesome valuation of life. This valuation, however, is explicable by queer and post-political theorists such as Judith Butler, Wendy Brown and Jasbir Puar, and does not try to reconstitute a world anterior to difference and globalisation. Tsiolkas, while shocking the reader, also provides a conjectural affirmation of a plural Australia.' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Journal of Australian Studies Christos Tsiolkas and Contemporary Australia—The Outsider Artist vol. 46 no. 1 2022 24308385 2022 periodical issue

    'Christos Tsiolkas is regularly acknowledged as one of the most important writers working in Australia—indeed, the world—today. However, his proclivity for the public essay (in venues such as The Monthly), as well as his willingness to speak out on important social and political issues (such as refugees and marriage equality), casts him not only as an important writer, but also as a critical public figure in contemporary Australia. This collection of articles takes the range of Tsiolkas’s works (both fiction and non-fiction, as well as their television and cinematic adaptations) as their impetus, using these as a model to explore the significance of Tsiolkas’s intellectual contribution to Australian public life. As such, these articles work across genre, across theories, across national and international borders, and across disciplines in order to make clear Tsiolkas’s contemporary significance. Building on recent book-length studies on the author, including Andrew McCann’s Christos Tsiolkas and the Fiction of Critique: Politics, Obscenity, Celebrity (2015) and my own Christos Tsiolkas: The Utopian Vision (2017), what these articles hold in common is an assertion that Tsiolkas’s fiction and non-fiction always and everywhere serve a political and social purpose. As I have argued elsewhere, Tsiolkas’s writing ultimately suggests the ways in which we can shape a better future for Australia.' (Jessica Gildersleeve : Introduction: Christos Tsiolkas and Contemporary Australia—The Outsider Artist)

    2022
    pg. 7-18
Last amended 6 Apr 2022 08:07:33
7-18 “Looking at Him, How It Hurt” : Tsiolkas’s Merciless Gods and Conjectural Literary Spacesmall AustLit logo Journal of Australian Studies
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