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'Australia wanted Scott Morrison. In a time of uncertainty, the country chose in 2019 to turn to a man with no obvious beliefs, no clear purpose and no famous talents. That we wanted Scott Morrison was the secret we did not know about ourselves. What precisely that secret is forms the subject of this book.
'In The Game, Sean Kelly gives us a portrait of a man, the shallow political culture that allowed him to succeed and the country that crowned him.
'Morrison understands – in a way that no other recent politician has – how politics has become a game. He also understands something essential about Australia – something many of us are unwilling to admit, even to ourselves.
'But there are things Scott Morrison does not understand. This is the story of those failures, too – and the way that, as his prime ministership continues, Morrison’s failure to think about politics as anything other than a game has become a dangerous liability, both to him and to us.'
Source : publisher's blurb
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Australia in Three Books
2022
single work
review
— Appears in: Meanjin , September vol. 81 no. 3 2022; (p. 26-29)
— Review of Recollections of a Bleeding Heart : A Portrait of Paul Keating PM 2002 single work biography ; Robert Menzies' Forgotten People 1992 single work biography ; The Game : A Portrait of Scott Morrison 2021 single work biography -
Nothing Obscure
2022
single work
review
— Appears in: Imaginative Possession: Learning to Live in the Antipodes , February 2022;
— Review of The Game : A Portrait of Scott Morrison 2021 single work biography'During the devastating bushfires of 2020, a few seconds of footage became emblematic of the limitations of the Australian Prime Minister. In The Game: A Portrait of Scott Morrison, Sean Kelly recounts the moment: Morrison was visiting a bushfire-afflicted town and approached a firefighter who told him, ‘I don’t really want to shake your hand.’ ‘Morrison moved his hand to the man’s left hand and grabbed it, appearing to move it slightly, then walked on to the next person.’ This apparent Morrisonian malfunction was shocking as an instance of thoughtless disrespect, but it was, Kelly believes, congruent with his approach to public life. More recently, Australian of the Year Grace Tame was subjected to Morrison’s strategic obliviousness, when her pained expression, as the Prime Minister shook her hand and posed for a photograph at a pre-Australia Day event, was made only more conspicuous by his resolutely blank grin, the face of a man unequipped to acknowledge or negotiate anything other than total compliance. Morrison behaves like this because he takes his task to be the arranging of images that will be seen by millions of potential voters, with every action in service of selling himself to that public. Therefore, the individual before him, the firefighter or the advocate for survivors of sexual assault, is erased.' (Introduction)
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Having a Fair Go at Morrison
2021
single work
review
— Appears in: The Weekend Australian , 27 November 2021; (p. 6)
— Review of The Game : A Portrait of Scott Morrison 2021 single work biography
-
Having a Fair Go at Morrison
2021
single work
review
— Appears in: The Weekend Australian , 27 November 2021; (p. 6)
— Review of The Game : A Portrait of Scott Morrison 2021 single work biography -
Nothing Obscure
2022
single work
review
— Appears in: Imaginative Possession: Learning to Live in the Antipodes , February 2022;
— Review of The Game : A Portrait of Scott Morrison 2021 single work biography'During the devastating bushfires of 2020, a few seconds of footage became emblematic of the limitations of the Australian Prime Minister. In The Game: A Portrait of Scott Morrison, Sean Kelly recounts the moment: Morrison was visiting a bushfire-afflicted town and approached a firefighter who told him, ‘I don’t really want to shake your hand.’ ‘Morrison moved his hand to the man’s left hand and grabbed it, appearing to move it slightly, then walked on to the next person.’ This apparent Morrisonian malfunction was shocking as an instance of thoughtless disrespect, but it was, Kelly believes, congruent with his approach to public life. More recently, Australian of the Year Grace Tame was subjected to Morrison’s strategic obliviousness, when her pained expression, as the Prime Minister shook her hand and posed for a photograph at a pre-Australia Day event, was made only more conspicuous by his resolutely blank grin, the face of a man unequipped to acknowledge or negotiate anything other than total compliance. Morrison behaves like this because he takes his task to be the arranging of images that will be seen by millions of potential voters, with every action in service of selling himself to that public. Therefore, the individual before him, the firefighter or the advocate for survivors of sexual assault, is erased.' (Introduction)
-
Australia in Three Books
2022
single work
review
— Appears in: Meanjin , September vol. 81 no. 3 2022; (p. 26-29)
— Review of Recollections of a Bleeding Heart : A Portrait of Paul Keating PM 2002 single work biography ; Robert Menzies' Forgotten People 1992 single work biography ; The Game : A Portrait of Scott Morrison 2021 single work biography
Awards
- 2022 shortlisted Australian Political Book of the Year Award
- 2022 shortlisted Walkley Award — Best Non-Fiction Book
- 2022 shortlisted Australian Book Industry Awards (ABIA) — Small Publishers' Adult Book of the Year