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Ella Baxter Ella Baxter i(20808969 works by)
Gender: Female
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1 y separately published work icon Woo Woo Ella Baxter , Crows Nest : Allen and Unwin , 2024 28006949 2024 single work novel

'Sabine returned carrying a bag containing an effortless pair of Christian Wijnants fringed trousers and Ann Demeulemeeter Crinkle Nero boots. The sales assistant had agreed that the combination made Sabine looks exactly like an artist. 'A conceptual artist?' Sabine asked, and the sales assistant said, 'Or an actual artist.'

'Sabine is having a moment. Her new exhibition, Fuck You, Help Me, is opening soon and, as her gallerist says, 'hell is an artist three days before their exhibition opens'. But it's not only this coming milestone that is causing Sabine to melt down.

'She is being stalked. As exhibition day draws closer, so too does the man who has been watching her. As his approaches become more overt and threatening, Sabine's fear amplifies and transforms into something feral and primal. And then things start to get really strange.

'Darkly funny, intense and unsettling, Woo Woo is an astonishing and unflinching dissection of creativity and obsession, love and passion and vengeance and rage. Nothing will prepare you for this literary firestorm from the author of the internationally acclaimed debut New Animal.' (Publication summary)

1 New Animal : An Extract Ella Baxter , 2021 extract novel (New Animal)
— Appears in: Kill Your Darlings [Online] , March 2021;
1 4 y separately published work icon New Animal Ella Baxter , Crows Nest : Allen and Unwin , 2021 20808991 2021 single work novel

'… most nights I find myself trying to combine with someone else to become this two-headed thing with flailing limbs, chomping teeth, and tangled hair. This new animal. I am medicated by another body. Drunk on warm skin. Dumbly high on the damp friction between them and me.

'It's not easy getting close to people. Amelia's meeting a lot of men but once she gets the sex she wants from them, that's it for her; she can't connect further. A terrible thing happened to Daniel last year and it's stuck inside Amelia ever since, making her stuck too.

'Maybe being a cosmetician at her family's mortuary business isn't the best job for a young woman. It's not helping her social life. She loves her job, but she's not great at much else. Especially emotion.

'And then something happens to her mum and suddenly Amelia's got too many feelings and the only thing that makes any sense to her is running away.

'It takes the intervention of her two fathers and some hilariously wrong encounters with other broken people in a struggling Tasmanian BDSM club to help her accept the truth she has been hiding from. And in a final, cataclysmic scene, we learn along with Amelia that you need to feel another person's weight before you can feel your own.'

Source: Publisher's blurb.

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