AustLit

'A ground-breaking graphic novel sharing the stories of Yindjibarndi Creation-times in an immediate and engaging way for a contemporary audience.

'Yindjibarndi believe all creation is written in our landscape and was sung long ago, filling our Ngurra (Country) with sacred meanings and deep religious significance. At the dawn of time, Ngurra Nyujunggamu, the world was soft as clay and the sky was very low. Our Creator, Minkala, sang the songs from which all life and Ngurra evolved. These are some of our stories.

'Our grandmothers and grandfathers sing our songs and tell our stories every day, just like our old people long ago sang songs and told stories to their children.

'And now we are sharing them with you.

'Dynamically illustrated by Alex Mankiewicz with striking artwork by members of the Juluwarlu Art Group, When the World Was Soft is a powerful gift of culture for young and old.' (Publication summary)

'It is Christmastime, 1914, and World War I rages. A young French soldier named Pierre had quietly left his regiment to visit his family for two days, and when he returned, he was imprisoned. Now he faces execution for desertion, and as he waits in isolation, he meditates on big questions: the nature of patriotism, the horrors of war, the joys of friendship, the love of family, and how even in times of danger, there is a whole world inside every one of us. And how sometimes that world is the only refuge. Its publication coinciding with the centennial of the signing of the Treaty of Versailles, this moving and sparely narrated story, based on true events, is reenacted in fascinating miniature scenes that convey the emotional complexity of the tale. Notes from the creators explore the innovative process and their personal connection to the story.'

Source: Publisher's blurb.

'A 26 page graphic non-fiction narrative depicting Kurdish-Iranian refugee Behrouz Boochani's early life, attempted journeys to Australia, and incarceration in a detention camp on Manus Island. Based on interviews via WhatsApp, conducted by Positive/Negatives, and Boochani's own journalism.'

Source: Publisher's blurb.