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'A few weeks ago I was on the invite list, along with my colleague Professor Gary Foley, to the opening of a major Indigenous art exhibition at the University of Melbourne. The reasoning for the invitations was threefold: we had both, at one time, been senior curators at the Bunjilaka Aboriginal Cultural Centre at Melbourne Museum (the museum is involved in the exhibition); we had both been recipients of the Chancellor’s Prize for the best PhD in the arts faculty; we are both, obviously, alumni of the university.' (Introduction)
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