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Issue Details: First known date: 2018... 2018 The Comedian Forcing Stand-Up to Confront the #MeToo Era
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AbstractHistoryArchive Description

'“What sort of comedian can’t even make the lesbians laugh?” the Australian comedian Hannah Gadsby asks in her new Netflix standup special, “Nanette.” “Every comedian ever,” she answers, grinning conspiratorially, her eyebrows darting behind horn-rim glasses. “The only people who don’t think it’s funny are us lezzes, but we’ve gotta laugh, because if we don’t—proves the point!” It’s a good joke, knowing and playful in the style that Gadsby, a star in her home country, has built her comedy career on. But it also contains a seed of discomfort: the image of the hypothetical gay woman in the audience, not quite comfortable with the joke, but being conscripted into laughing anyway, at her own expense.'  (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The New Yorker 28 June 2018 14176775 2018 newspaper issue 2018
Last amended 17 Jul 2018 13:28:29
https://www.newyorker.com/culture/culture-desk/the-comedian-forcing-stand-up-to-confront-the-metoo-era The Comedian Forcing Stand-Up to Confront the #MeToo Erasmall AustLit logo The New Yorker
Subjects:
  • Nanette Hannah Gadsby , 2017 single work drama
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