AustLit

Marshall's Walkabout and Nicolas Roeg's adaptation of that novel appeared at different points in Aboriginal trauma narrative constructions. Works often appear before a trauma narrative is complete. In this article, I employ an analysis of the imperial gaze as a way of evaluating the two works. I investigate Nicolas Roeg's 1971 adaptation of the novel in the context of the evolving Australian Aboriginal trauma narrative and also in the context of the Aboriginal narrative being one narrative among many in the larger global civil rights narrative. The source novel is itself the product of a stage in the Aboriginal trauma narrative. As the trauma narrative evolves, it opens up new definitions of the experience represented in the novel. Roeg examines and engages these developments in his adaptation. Roeg revises the racial and domestic logic of the novel, exposing its civil rights ethics as a product of arrested development. His film is best understood if one understands that it exists as part of the building of a larger trauma narrative.