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AbstractHistoryArchive Description
A seven-year-old girl's perception of adulthood is portrayed through the marriage breakdown of her parents. Withdrawing into silence as a protest and protection against her parents' constant fighting, the girl reveals her thoughts through an internal monologue which mixes childishness and vulnerability with emotional sophistication and strength. Her only refuge is her blue-walled room, an exaggerated fantasyland of goldfish, Barbie dolls and toys, where she can remember happier days.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
- y Dutch Tilt, Aussie Auteur : The Films of Rolf de Heer Saarbrucken : VDM Verlag , 2009 Z1786072 2009 single work criticism 'Dutch Tilt, Aussie Auteur: The Films of Rolf de Heer"is an auteur analysis of the twelve feature films directed (and mostly written and produced) by Dutch-born Australian director, Rolf de Heer. From his debut feature film after graduating from the Australian Film, Television and Radio School, the children's story about the restoration of a Tiger Moth biplane, Tail of a Tiger (1984) to his breakout cult sensation Bad Boy Bubby (1993) which "tore Venice [Film Festival] apart" to the first Aboriginal Australian language film Ten Canoes (2006) which scooped the pool at the Australian Film Institute awards, de Heer has consistently proven himself unpredictable. This analysis of his films, however, suggests that Australia's most innovative film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, his 'Dutch tilt' is very much not Hollywood, but is nevertheless representative of a typically Australian world-view.' (Publisher's blurb)
-
Hearing the Story : Sound Design in the Films of Rolf de Heer
2004
single work
criticism
— Appears in: Senses of Cinema , April - June no. 31 2004; Specific sonic challenges are built into each of de Heer's films from the script stage onward. -
Child's Silence Speaks Loudly
1997
single work
review
— Appears in: The West Australian , 16 May 1997; (p. 6)
— Review of The Quiet Room 1996 single work film/TV -
Kaleidoscope of the Future
1997
single work
review
— Appears in: The Courier-Mail , 17 May 1997; (p. wkd 10)
— Review of The Quiet Room 1996 single work film/TV -
Family Under Threat from Within
1997
single work
review
— Appears in: The Age , 16 May 1997; (p. 4)
— Review of The Quiet Room 1996 single work film/TV
-
Cool Chloe Fails to Engage Us
1997
single work
review
— Appears in: The Sydney Morning Herald , 15 May 1997; (p. 15)
— Review of The Quiet Room 1996 single work film/TV -
Family Under Threat from Within
1997
single work
review
— Appears in: The Age , 16 May 1997; (p. 4)
— Review of The Quiet Room 1996 single work film/TV -
Kaleidoscope of the Future
1997
single work
review
— Appears in: The Courier-Mail , 17 May 1997; (p. wkd 10)
— Review of The Quiet Room 1996 single work film/TV -
Child's Silence Speaks Loudly
1997
single work
review
— Appears in: The West Australian , 16 May 1997; (p. 6)
— Review of The Quiet Room 1996 single work film/TV - y Dutch Tilt, Aussie Auteur : The Films of Rolf de Heer Saarbrucken : VDM Verlag , 2009 Z1786072 2009 single work criticism 'Dutch Tilt, Aussie Auteur: The Films of Rolf de Heer"is an auteur analysis of the twelve feature films directed (and mostly written and produced) by Dutch-born Australian director, Rolf de Heer. From his debut feature film after graduating from the Australian Film, Television and Radio School, the children's story about the restoration of a Tiger Moth biplane, Tail of a Tiger (1984) to his breakout cult sensation Bad Boy Bubby (1993) which "tore Venice [Film Festival] apart" to the first Aboriginal Australian language film Ten Canoes (2006) which scooped the pool at the Australian Film Institute awards, de Heer has consistently proven himself unpredictable. This analysis of his films, however, suggests that Australia's most innovative film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, his 'Dutch tilt' is very much not Hollywood, but is nevertheless representative of a typically Australian world-view.' (Publisher's blurb)
-
Hearing the Story : Sound Design in the Films of Rolf de Heer
2004
single work
criticism
— Appears in: Senses of Cinema , April - June no. 31 2004; Specific sonic challenges are built into each of de Heer's films from the script stage onward. -
Coup for Film Program
1996
single work
column
— Appears in: The Advertiser , 7 March 1996; (p. 16) -
A Retreat into Silence is Child's Hope in Divorce
1997
single work
column
biography
— Appears in: The West Australian , 13 May 1997; (p. 6) -
Now Rolf Feels Very Smooth
1997
single work
column
biography
— Appears in: The Sydney Morning Herald , 15 May 1997; (p. 15)
Last amended 3 Feb 2012 11:28:44
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