AustLit
Kim Scott is a multi-award winning Indigenous author from Western Australia. He grew up near Albany, in southern Western Australia, then on leaving school completed a Bachelor of Arts Degree and a Graduate Diploma in Education at Murdoch University, in Perth. He initially worked as a secondary school teacher and later turned to writing full-time.
Scott began working on his first novel, the semi-autobiographical True Country (1993), whilst teaching at a remote Aboriginal community in the Kimberley region of Western Australia. Since then he has gained widespread critical acclaim for the way in which his writing explores questions of identity, race and history, and also for his interest in finding ways that Indigenous people might connect their ancient heritage to contemporary life. His friend John Fielder has written that Scott "is an important figure in Australia today because of his creative quest to open up new and different ways of 'being black', and to provide a language for that which is otherwise un-utterable".
In 2000, Scott became the first Indigenous author to win the Miles Franklin Literary Award, with his novel Benang: From the Heart (1999). In 2011 he won both the Miles Franklin and the Australian Literature Society’s Gold Medal with That Deadman Dance (2010). He was a guest speaker at the 2001 Century of Federation Alfred Deakin Lecture Series in Melbourne. He presented at the 2004 Melbourne 'Globalisation and Identities' forum. He has been a member of the Aboriginal and Torres Strait Islander Arts Board of the Australia Council. In 2012 he was made a Fellow of the Australian Academy of the Humanities and also named West Australian of the Year.
Since completing a PhD in Creative Writing at the University of Western Australia in 2009, Scott has been involved with the Curtin Health Innovation Research Institute and also the Wirlomin Noongar Language and Story Project. Scott was appointed Professor of Writing in the School of Media, Culture and Creative Arts of Curtin University in December, 2011. He is a member of The Centre for Culture and Technology (CCAT), leading its Indigenous Culture and Digital Technologies research program.
Scott is the nephew of Hazel Brown, with whom he co-wrote in Kayang and Me.







— Appears in: The Lifted Brow , no. 16 2013 2013 (p. 46) y
— Appears in: The West Australian , 30 July 2011 2011 (p. 11) y

— Appears in: JASAL , vol. 4 no. 2005 2005 (p. 147-158) y
— Appears in: Australian Author , December vol. 44 no. 4 2012 2012 (p. 20-22) y
— Appears in: The Writer's Room Interviews , August no. 4 2013 2013 y
— Appears in: Westerly , Spring vol. 41 no. 3 1996 1996 (p. 9-14) y
— Appears in: ABC News [Online] , March 2024 2024 y
— Appears in: The Cambridge Companion to the Australian Novel Cambridge : Cambridge University Press , 2023 2023 (p. 194-208) y
— Appears in: Poetic Revolutionaries : Intertextuality and Subversion Amsterdam : New York (City) : Rodopi , 2014 2014 y
— Appears in: Novel Politics : Studies in Australian Political Fiction Carlton : Melbourne University Press , 2020 2020 y
— Appears in: Sydney Review of Books , August 2017 2017 y
— Appears in: Westerly , November vol. 52 no. 2007 2007 (p. 175-183) y
— Appears in: The Conversation , 19 February 2014 2014 y
— Appears in: A Companion to the Works of Kim Scott Rochester : Camden House , 2016 2016 (p. 114-129) y
— Appears in: A Companion to the Works of Kim Scott Rochester : Camden House , 2016 2016 (p. 158-170) y
— Appears in: Journal of Australian Studies , vol. 45 no. 2 2021 2021 (p. 165-180) y
— Appears in: In Conversation with BlackWords St Lucia : AustLit: The Australian Literature Resource , 2014 2014 y
— Appears in: Indigenous Australia : Standing Strong East Roseville : Simon and Schuster Australia , 2001 2001 (p. 154-156) y
— Appears in: Koori Mail , 29 June no. 504 2011 2011 (p. 4) y
— Appears in: A Companion to the Works of Kim Scott Rochester : Camden House , 2016 2016 (p. 25-36) y
— Appears in: Poetics and Politics of Relationality in Contemporary Australian Aboriginal Fiction London : Routledge, Warne and Routledge , 2021 2021 y
— Appears in: Reading Like an Australian Writer Sydney : NewSouth Publishing , 2021 2021 y
— Appears in: Identity, Ethos & Ethnicity : Australia and India Ajmer : Arawlii Publications , 2010 2010 (p. 92-102) y
— Appears in: National Indigenous Times , 15 September vol. 10 no. 233 2011 2011 (p. 51) y
— Appears in: IJAS , no. 4 2011 2011 (p. 88-99) y
— Appears in: Anglophonia / Caliban , no. 21 2007 2007 (p. 147-158) y
— Appears in: Overland , Winter no. 255 2024 2024 (p. 7-37) y
— Appears in: Southerly , vol. 65 no. 1 2005 2005 (p. 63-73) y
— Appears in: Landscapes , vol. 8 no. 1 2018 2018 y
— Appears in: Journal of the European Association for Studies on Australia , vol. 2 no. 2 2011 2011 (p. 60-71) y
— Appears in: The Tapestry of the Creative Word in Anglophone Literatures Udine : Forum : The University of Udine Press , 2013 2013 (p. 299-312) y
— Appears in: The Conversation , 14 June 2019 2019 y
— Appears in: English Language Notes , Fall/Winter vol. 47 no. 2 2009 2009 (p. 75-81) y
— Appears in: Los Angeles Review of Books , December 2017 2017 y
— Appears in: Commonwealth , Autumn vol. 33 no. 1 2010 2010 (p. 35-44) y
— Appears in: Darkness Subverted : Aboriginal Gothic in Black Australian Literature and Film Goettingen : Bonn University Press , 2010 2010 (p. 103-115) y
— Appears in: Oceanic Literary Studies , December no. 1 2014 2014 (p. 183-188) y
— Appears in: Reconciliations Perth : API Network , 2005 2005 (p. 109-118) y
— Appears in: Altitude , no. 6 2005 2005 y
— Appears in: Teaching Australian and New Zealand Literature New York (City) : Modern Language Association of America , 2016 2016 (p. 165-178) y