AustLit
A descendant of the Muruwari people (Bourke and Brewarrina area), Jane Harrison is a playwright, critic, and novelist. Raised by her mother (alongside a sister) in the Victorian Dandenongs, she worked first as a copywriter for advertising agencies before she was commissioned by Ilbijerri Theatre Company to write the play Stolen. The play was included in the VCE English and NSW HSC syllabi and awarded the Kate Challis RAKA Award in 2002. It remains her best-known and most-toured play.
Harrison followed Stolen with a succession of plays about Australian Aboriginal experiences, including Walkabout, Rainbow's End, Blakvelvet, Custody, and First Contact, which was directed by Leah Purcell under the title The Visitors. Harrison's plays are widely performed, studied, and awarded: Rainbow's End (2005) was included in the NSW HSC syllabus between 2009 and 2012, Blakvelvet won the Theatrelab Indigenous Award in 2006, and Custody won the Holmes à Court Indigenous Award in 2007.
Harrison made her debut as a novelist in 2015 with Becoming Kirrali Lewis (which, in manuscript form, won a Kuril Dhagun Indigenous Writing Fellowship), a coming-of-age story of an Aboriginal teenager growing up in the 1980s and coming to an understanding of her parents' life among the turbulent activism of the 1960s.
Harrison also holds a Master of Arts degree from the Queensland University of Technology, for a thesis that examined 'the challenges for non Aboriginal theatre practitioners in accessing and interpreting Aboriginal themes'.
— Appears in: The Saturday Paper , 17-23 April 2021 2021 y
— Appears in: Crucible of Cultures : Anglophone Drama at the Dawn of a New Millennium Brussels : Peter Lang , 2002 2002 (p. 285-294) y
— Appears in: Outskirts : Feminisms along the Edge , November no. 33 2015 2015 y
— Appears in: Australia and India : Interconnections : Identity, Representation, Belonging New Delhi : Mantra Books , 2006 2006 (p. 86-94) y
— Appears in: The Indian Review of World Literature in English , July vol. 5 no. 2 2009 2009 y
— Appears in: Australian Book Review , November no. 376 2015 2015 (p. 61) y
— Appears in: The Brisbane Courier , 9 November 1929 1929 (p. 24) y
— Appears in: The Courier-Mail , 11 July 2015 2015 (p. 1916) y
— Appears in: Koori Mail , 1 July no. 604 2015 2015 (p. 65) y
— Appears in: Koori Mail , 28 February no. 820 2024 2024 (p. 21) y
— Appears in: Koori Mail , 4 December no. 715 2019 2019 (p. 37) y
— Appears in: Empowering and Disempowering Indigenes : Staging Australian Aboriginal Experience Saarbrucken : Lambert Academic Publishing , 2010 2010 (p. 165-171) y
— Appears in: Koori Mail , 5 November no. 163 1997 1997 (p. 24) y
— Appears in: Just Words? : Australian Authors Writing for Justice St Lucia : University of Queensland Press , 2008 2008 (p. 62-75) y
— Appears in: The Guardian Australia , 19 September 2023 2023 y
— Appears in: The Dolls' Revolution : Australian Theatre and Cultural Imagination Melbourne : Australian Scholarly Publishing , 2005 2005 (p. 199-237) y
— Appears in: The Guardian Australia , 15 January 2020 2020 y
— Appears in: Axon : Creative Explorations , November vol. 13 no. 2 2023 2023 y
— Appears in: Contemporary Indigenous Plays Strawberry Hills : Currency Press , 2007 2007 (p. [117]-200) y
— Appears in: The Age , 13 October 1998 1998 (p. 17) y