AustLit

'A moving and hilarious fish-out-of-water memoir of a millennial leaving his inner-city life to take over the family farm.

'Sam Vincent is a twenty-something writer in the inner suburbs, scrabbling to make ends meet, when he gets a call from his mother: his father has stuck his hand in a woodchipper, but ‘not to worry – it wasn’t like that scene in Fargo or anything’. When Sam returns to the family farm to help out, his life takes a new and unexpected direction.

'Whether castrating a calf or buying a bull – or knocking in a hundred fence posts by hand when his dad hides the post-driver – Sam’s farming apprenticeship is an education in grit and shit. But there are victories, too: nurturing a fig orchard to bloom; learning to read the land; joining forces with Indigenous elders to protect a special site. Slowly, Sam finds himself thinking differently about the farm, about his father and about his relationship with both.

'By turns affecting, hilarious and utterly surprising, this memoir melds humour and fierce honesty in an unsentimental love letter. It’s about belonging, humility and regeneration – of land, family and culture. What passes from father to son on this unruly patch of earth is more than a livelihood; it is a legacy.' (Publication summary)

'At a hinge-point in his life, artist and ex-gallerist Tony Oliver travelled to the East Kimberley, where he plunged into the crosscurrents and eddies of the Aboriginal art world. He would stay for almost a decade, working alongside a group of senior Gija artists, including acclaimed figures Paddy Bedford and Freddie Timms, to establish Jirrawun Arts, briefly one of the country’s most successful and controversial Aboriginal painting collectives.

'The Stranger Artist follows Oliver’s journey and the deep relationships he formed, an experience that forever altered his life’s trajectory. His story will draw readers close to what he came to know of Kimberley life: the immersion of culture and spirituality in the everyday, the importance of Law, the deep and abiding connection to country, and the humour and tragedy that pervade the Aboriginal world.

'Evocative and absorbing in equal measure, The Stranger Artist tells not only of the connections that can be formed through the sharing of mutual interests and experiences, but of what it takes to live between cultures.'

Source: Publisher's blurb.

'A rare opportunity to connect with the living tradition of women's songlines, as recounted by Yolngu women from far north Australia.

'We want you to come with us on our journey, our journey of songspirals. Songspirals are the essence of people in this land, the essence of every clan. We belong to the land and it belongs to us. We sing to the land, sing about the land. We are that land. It sings to us.'

'Aboriginal Australian cultures are the longest living cultures on earth and at the heart of Aboriginal cultures is song. These ancient narratives of landscape have often been described as a means of navigating across vast distances without a map, but they are much, much more than this. Songspirals are sung by Aboriginal people to awaken Country, to make and remake the life-giving connections between people and place. Songspirals are radically different ways of understanding the relationship people can have with the landscape.

'For Yolngu people from North East Arnhem Land, women and men play different roles in bringing songlines to life, yet the vast majority of what has been published is about men's place in songlines. Songspirals is a rare opportunity for outsiders to experience Aboriginal women's role in crying the songlines in a very authentic and direct form.'

Source: Publisher's blurb.

''Their years in the Aegean may have been half perfect at best, but it was on Hydra that they connected to a place, a lifestyle and a community that allowed them to live and express themselves intensely, and as they wished. They refused to believe their dreams were an illusion, or that boldness, ambition and a leap-of-faith might not allow them to reach beyond the constraints of their birthright'.

'Half the Perfect World tells the story of the post-war international artist community that formed on the Greek island of Hydra. Most famously, it included renowned singer-songwriter Leonard Cohen and his partner Marianne Ihlen, as well as many other artists and writers including the Australian literary couple, Charmian Clift and George Johnston, who fostered this fabled colony.

'Drawing on many previously unseen letters, manuscripts and diaries, and richly illustrated by the eyewitness photographs of LIFE magazine photo-journalist James Burke, Half the Perfect World reveals the private lives and relationships of the Hydra expatriates. It charts the promise of a creative life that drew many of them to the island, and documents the fracturing of the community as it came under pressure from personal ambitions and wider social changes. For all the unrealised youthful ambitions, internal strife and personal tragedy that attends this story, the authors nonetheless find that the example of these writers, dreamers and drifters continues to resonate and inspire.' (Publication summary)

'Quicksilver begins on a quiet day in contemplation of a lizard deep in the heart of the outback but quickly moves to the Russia of Tolstoy and Gorky, and on to other lands and times, bringing into play universal questions about the essential nature of the human condition.'

'Rothwell’s chief subject is always the inland: the mystic Kurangara cult that flourished in the Kimberley; the story of the Western Desert artists, their works and their eventual fate; the tracks across the wilderness of Colonel Warburton and George Grey; the bush dreams and intuitions of D. H. Lawrence and the landscape word-portraits by the great biographer of nature Eric Rolls.'

'In Quicksilver Rothwell masterfully takes us in search of the sacred through place and time, in an enchanting reverie of calm wondering.' (Source: Text Publishing website)