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person or book cover
Script cover page (from the Crawford Collection at the AFI Research Collection)
form y separately published work icon The Wrong Coffin single work   film/TV   crime  
Issue Details: First known date: 1976... 1976 The Wrong Coffin
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AbstractHistoryArchive Description

'Anyone would think she was a potty, old, cockney woman. But Gary and Monica don't think so and they talk Bluey into taking on the case of a supposed Homicide - several months old.

'A night in the cemetery, a night in a funeral parlour, an Angel of Death; all add up to a strange and intriguing jigsaw of extortion and murder.

'Bluey is given little help by the woman who sees herself a little like Agatha Christie and intends to do her own investigation. Bluey is hard pressed to save her from the Angel of Death.'

Source: Synopsis held in the Crawford Collection in the AFI Research Collection (RMIT).


The script held in the Crawford Collection in the AFI Research Collection contains the following character notes (excluding regular characters):

'ELSIE HUNTER: A cheerful, fat and garrulous cockney woman of perhaps 65 summers. Although suffering from a "heart condition", Elsie is loud-mouthed and vulgar, and believes in the old adage "If you've got it, show it". The rubies and diamonds that cluster round her neck, ears and fingers are all real, and she is hardly ever seen without her mink stole.

'CHRIS: 24/25. All the open cockney charm and baby blue eyes you could wish for - hiding a mean, vicious and calculating soul. He has adopted the role of "angel of death" and spends his life conning the aged rich into surrendering to his charms. It is essential that he is of the earth, earthy, and that Else could recognise in him a brother under the skin.

'SPENCER: Tall, dark haired and angular, about 40 or 45. Has three distinct aspects to his personality - the urbane, fawning funeral director, the "ordinary" Spencer, not nearly so well spoken as the first, but still with a certain amount of style, and the real Spencer - a small time cockney con-man.

'FRANCIS: The tubby, meticulous, well-mannered and well-manicured mortician. And age, I guess, but 35 to 45 might be best. Trim, neat, dapper, and a nervous nelly at heart. Almost certainly he has no sex life, and subjugates any desires in this area to his dedication to his profession.

'MRS. TANNER: Else's next door neighbour. Nouveau riche, early 30's. Her husband might be a newly successful bank manager or the like. Friendly enough, but likes the display of money. Middle class trendy, if you like.

'HARRY: An aged crim widower, now living at an old folk's home. As angular as Elsie is rotund. A mournful soul these days, the spark of life having been knocked out of him. Elsie re-awakens it!

'ARCHIE: The grave-digger. About 45-50. A cheerful and talkative man whose personality is completely at variance with the popular conception of his occupation. Likes a laugh and a beer, and takes great pride in his work.

'APPRENTICE: A gormless youth whom Archie is teaching the trade of grave digging. Big and muscular with an IQ of 2, but a happy smile withall.

'BODY: A pleasant looking lad.

'MRS. MITCHELL: About 195. Is almost totally deaf, and wears pebble lenses so thick that any step she takes becomes, for her, the equivalent of Hilary conquering Everest.

'CAT: A mangy beast that keeps the mortuary free of rats.'

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship.

Publication Details of Only Known VersionEarliest 2 Known Versions of

      1976 .
      person or book cover
      Script cover page (from the Crawford Collection at the AFI Research Collection)
      Extent: 66p.
      (Manuscript) assertion
      Note/s:
      • The script is typed on thin white paper, labelled 'Code 11521' and 'Episode No. 33' on the cover page, although it aired as episode 32.
      • The script is amended throughout with liquid paper, which is then typed over. The amendments are minor: copy-editing corrections of typing mistakes, primarily. (See, for example, page 1, where the stage direction 'VRIC-A-BRAC' has been changed to 'BRIC-A-BRAC'.)
      • Some sections of the script (see, for example, page 12) are marked with the pattern of brackets in the margins used to denote tentative material.
      • The file also includes a one-page memo from script editor Denise Morgan, dated 28th September 1976, covering five alterations to the script: one change to the stage directions, two corrections of incorrect/mistyped words, one addition of one line to a speech, and one removal of an expression ('by the short and curlies') from a speech.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC BLU : 32
    • Melbourne, Victoria,: Crawford Productions ; Seven Network , 1977 .
      Extent: 47 min. 57 secs (according to the script)p.
      Series: form y separately published work icon Bluey Robert Caswell , Vince Moran , Everett de Roche , James Wulf Simmonds , Tom Hegarty , Gwenda Marsh , Colin Eggleston , David Stevens , Peter A. Kinloch , Keith Thompson , Gregory Scott , Peter Schreck , Denise Morgan , Monte Miller , Ian Jones , John Drew , David William Boutland , Jock Blair , Melbourne : Crawford Productions Seven Network , 1976 Z1815063 1976 series - publisher film/TV crime detective

      According to Moran, in his Guide to Australian Television Series, Bluey (and its Sydney-based rival, King's Men) 'constituted an attempt to revive the police genre after the cancellations of Homicide, Division 4 and Matlock Police'.

      Don Storey, in his Classic Australian Television, summarises the program as follows:

      Bluey is a maverick cop who breaks every stereotype image. He drinks, smokes and eats to excess, and therefore is rather large, but it is his unusual investigative methods that set him apart. He has bent or broken every rule in the book at some stage, to the point where no-one else wants to work with him. But he gets results, and is therefore too valuable to lose, so the powers-that-be banish him to the basement of Russell Street Police Headquarters where he is set up in his own department, a strategem that keeps him out of the way of other cops.

      Moran adds that 'Grills, Diedrich and Nicholson turned in solid performances in the series and the different episodes were generally well paced, providing engaging and satisfying entertainment.'

      The program sold well overseas, especially in the United Kingdom. But though it rated well domestically, it was not the success that the Seven Network had hoped for, and was cancelled after 39 episodes.

      Bluey had an unexpected revival in the early 1990s when selections from the video footage (over-dubbed with a new vocal track) were presented during the second series of the ABC comedy The Late Show as the fictional police procedural Bargearse. (The Late Show had given ABC gold-rush drama Rush the same treatment in series one.)

      Number in series: 32
Last amended 17 Apr 2013 11:52:27
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