AustLit logo

AustLit

form y separately published work icon The Rising Cost of Giving single work   film/TV   crime  
Issue Details: First known date: 1972... 1972 The Rising Cost of Giving
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

The script held in the Crawford Collection in the AFI Research Collection includes the following character notes:

'JUDY WINTER. 20. Average young girl. Quiet and attractive. Goes to pieces after the attack mainly because of her mother.

'DAVID THOMPKIN. Early 20's. Introvert, in love with Judy, but afraid to approach her. His frustration builds up and he attacks Trevor and rapes Judy.

'MR. WINTER. Middle 40's. Kind, understanding, but weak. Stands up to his wife to a certain extent, but not all the way as she owns their farm and he is afraid of losing everything.

'MRS. WINTER. Middle 40's. Her main concern is the "Winter name". Feels that Judy is at fault and brought on the attack. Is a very hard woman, completely lacking in understanding and compassion.

'WALTERS. 20's. Works where Judy was employed. Big mouthed, with a distorted sense of humour. Not a very nice fellow.

'MAN 1. Early 20's. One scene - lines.

'MAN 2. Early 20's. No lines.

'TREVOR. Judy's boyfriend - nice ordinary young man.

'POLICEWOMAN. Sympathetic character.

'OFFICE GIRL. About 18. Ordinary type.

'OFFICE MANAGER (MR. HUGHES). 50's. Ordinary sort of guy. Feels sorry for Judy, but is perhaps embarrassed by her.

'PHOTOGRAPHER (LAURIE). Not police. Young artistic type.

'RADIO ANNOUNCER 1 & 2 (V.O)

'NURSE

'DR. MITCHELL

'WOMAN SHOPPER. 40's. Few lines.

'PUBLICAN. Lines.

'FOUR EXTRAS. Men and women (For Ladies Lounge). No lines.

'AMBULANCE MEN (2) Actuals.

'SOLDIER (UNIFORM) No lines.

'UNIFORMED CONSTABLE. No lines.'

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship: see The Writer in Australian Television History.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Note: Storey suggests that Crawford was credited as director and Sheen as film director.
    • Melbourne, Victoria,: Crawford Productions ; Network Ten , 1972 .
      Extent: 48 min., 3 secs (according to the script)p.
      Series: form y separately published work icon Matlock Police Terry Stapleton , Ian Jones , Everett de Roche , Ian Jones , Terry Stapleton , Keith Hetherington , Patrick Edgeworth , Tom Hegarty , Douglas Tainsh , Graeme Koetsveld , Peter A. Kinloch , Sonia Borg , Don Battye , Robert Caswell , George T. Miller , Gwenda Marsh , Cliff Green , Vince Moran , Luis Bayonas , David William Boutland , Phil Freedman , Keith Thompson , Denise Morgan , C.F. Barnes , Robert Bruce , Alan Cram , Vern Perry , Martin Robbins , John Dingwall , George Mallaby , Jim Stapleton , Simon Wincer , Melbourne Australia : Crawford Productions Network Ten , 1971-1976 Z1638563 1971 series - publisher film/TV detective crime

      The Matlock Police series (originally simply titled Matlock) was commissioned from Crawford Productions by ATV-0, in response to the popularity of rival-network police dramas such as Homicide and Division 4. Crawford's was initially reluctant to create another police series, but ATV-0 pressured the company for some time. Eventually, Ian Jones and Terry Stapleton devised the concept of a regional (Victorian) police series to provide viewers with something different. The more relaxed atmosphere of the country-town setting also allowed the writers to delve into the private lives of the main characters, rather than focusing heavily on big-city organised crime. In this respect, the series was situated somewhere between Homicide/Division 4 and Bellbird. The series did, however, cover typical rural policing, including such issues as break and enters, domestic issues, itinerant workers, brawls, petty crime and robberies, road accidents, the occasional homicide, and cattle rustling. On other occasions, the Matlock police also assisted Melbourne police in locating criminals on the run (among other problems). The idea behind the show was to reflect the causes of crime in a small community and show the effects on both the community and the officers themselves.

      The fictional town of Matlock (loosely based on Shepparton in Victoria) is situated inland on the Central Highway, approximately 160 kilometres north of Melbourne. Although the town's population is only seventeen thousand, this increases to around seventy-five thousand when the district is included. The Matlock Police Station is typical of a Victorian country town, with a Uniform Branch and a Criminal Investigation Branch (CIB). The CIB is headed by Detective Sergeant Vic Maddern, who grew up in the Matlock district and is an accomplished bushman. Second in command is Detective Allan Curtis, aged in his mid-twenties. Previously from Melbourne, Curtis has just been sent to his first country posting (against his will) when the series begins. Head of the Uniform Branch is Sergeant Bert Kennedy, an Englishman who migrated to Australia in 1950. A thorough but also easy-going man with a good sense of humour, Kennedy is married to Nell and enjoys the country life in Matlock, so much so that he has knocked back promotion to avoid moving to Melbourne. Several constables are attached to the Uniform Branch, but the most prominent is a motorcycle cop, Constable Gary Hogan, who performs a wide variety of duties. Hogan is about thirty, a friendly, easy-going person who grew up in the country and is always willing to help in whatever work is going.

      Number in series: 84
      1972 .
      person or book cover
      Script cover page (from the Crawford Collection at the AFI Research Collection)
      Extent: 66p.
      (Manuscript) assertion
      Note/s:
      • The Crawford Collection holds two copies of the script, both copied on pink paper and both labelled 'Episode 6F' on the cover page. Neither copy of the script shows any indication of to whom these copies of the script were designated.
      • Neither copy of the script shows any sign of annotation.
      • The file also contains the following ancillary materials, access to some of which is restricted:
        1. Rough artists' roll.
        2. Rough artists' roll (amended).
        3. Casting call sheets.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC MAT : 84
Last amended 30 May 2013 15:24:50
X