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Screen cap from opening credits
form y separately published work icon In the Name of the Queen single work   film/TV   crime  
Issue Details: First known date: 1974... 1974 In the Name of the Queen
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AbstractHistoryArchive Description

The script held in the Crawford Collection in the AFI Research Collection includes the following character notes:

'DAVID PARKES: The Great Bullion Robber. Mid 30's to 40's. English. A quiet, solid character whose appearance and manner bear no resemblance to the Scarlet Pimpernel figure who everybody imagines the great robber to be. He's set up in Matlock living with Susan on a small run down farm which they hope to build up. David is devoted to Susan and has purposely avoided marrying her because he knows that it's more than likely one day that he will have to move on. Thru' Susan he has met Gary Hogan. Because of the common interest they share in bike riding, a warm relationship has developed. In many ways David is like Hogan in that everyone who meets him likes him but he is happier leading the quiet life (for obvious reasons) and apart from helping Sue and Hogan out with the kids' bike rides, rarely gets further than helping fix a fence on a neighbouring farm.

'SUE MIDDLETON: About 25ish. Sue is the daughter of a wealthy district grazier who has turned her back on "la dolca vita" to go and live with David Parkes. She is totally devoted to him (as he is to her) and yet has no idea of his famous past. Only when she finds out about David does she stop and question her happy existence and realise how much he has given to her formally shallow life.

'JACK MIDDLETON: Sue's father, a wealthy Matlock Grazier who has given Sue everything he could - a good education, the obligatory overseas trip, skiing holidays, etc. He can't understand Sue throwing all this away to go and live with David Parkes. Jack is very much of the old school in that he feels that people shouldn't live together unless they are married. Jack's wife has been bed-ridden for 2 years and he feels that Sue's actions haven't helped matters, despite this Jack can't help liking David in a funny sort of way - at least he works hard and hasn't got long hair. However there will always be a deep rooted resentment to any man who won't assume the responsibilities of marriage. Typical of his breed, Jack is the first one to turn against David when he finds out who he is.

'TOMMY HAYES: About 40. The head of Scotland Yard's flying Squad [sic]. A bachelor, he has devoted ten years of his life to tracking down and apprehending the nine Gold Bullion Robbers. Although he's never met Parkes he knows him almost intimately through his study of the man and his life. Hayes is determined, confident and an excellent policeman though at times he is a little bewildered by the Australian country and the way its police work.

'BRUCE ROSS-SMITH: About 30. Another member of the Scotland Yard Flying Squad. A typical ex-public school boy who tends to upset Maddern and York with his seemingly condescending attitude and plum in mouth talk. In fact it's just his upper class mannerisms which no Australian can quite cope with. A clever policeman who is also amazed by the Australian bush.

'DROVER: Typical of his breed. One line. Should ride.

'PILOT: Actual, hopefully we will use Ansetts Helicopter as in a previous episode of Matlock.

'2 UNIFORMED CONSTABLES: No dialogue.

'2 CIVILIAN BUSHWALKERS: No dialogue.

'EXTRAS: As many as we can afford for the final scene outside Police Station.

'MIKE: Young boy at trail bike track - couple of lines.

'BOY: Also a trail bike track - one line.'

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship: see The Writer in Australian Television History.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Melbourne, Victoria,: Crawford Productions ; Network Ten , 1974 .
      person or book cover
      Screen cap from opening credits
      Series: form y separately published work icon Matlock Police Terry Stapleton , Ian Jones , Everett de Roche , Ian Jones , Terry Stapleton , Keith Hetherington , Patrick Edgeworth , Tom Hegarty , Douglas Tainsh , Graeme Koetsveld , Peter A. Kinloch , Sonia Borg , Don Battye , Robert Caswell , George T. Miller , Gwenda Marsh , Cliff Green , Vince Moran , Luis Bayonas , David William Boutland , Phil Freedman , Keith Thompson , Denise Morgan , C.F. Barnes , Robert Bruce , Alan Cram , Vern Perry , Martin Robbins , John Dingwall , George Mallaby , Jim Stapleton , Simon Wincer , Melbourne Australia : Crawford Productions Network Ten , 1971-1976 Z1638563 1971 series - publisher film/TV detective crime

      The Matlock Police series (originally simply titled Matlock) was commissioned from Crawford Productions by ATV-0, in response to the popularity of rival-network police dramas such as Homicide and Division 4. Crawford's was initially reluctant to create another police series, but ATV-0 pressured the company for some time. Eventually, Ian Jones and Terry Stapleton devised the concept of a regional (Victorian) police series to provide viewers with something different. The more relaxed atmosphere of the country-town setting also allowed the writers to delve into the private lives of the main characters, rather than focusing heavily on big-city organised crime. In this respect, the series was situated somewhere between Homicide/Division 4 and Bellbird. The series did, however, cover typical rural policing, including such issues as break and enters, domestic issues, itinerant workers, brawls, petty crime and robberies, road accidents, the occasional homicide, and cattle rustling. On other occasions, the Matlock police also assisted Melbourne police in locating criminals on the run (among other problems). The idea behind the show was to reflect the causes of crime in a small community and show the effects on both the community and the officers themselves.

      The fictional town of Matlock (loosely based on Shepparton in Victoria) is situated inland on the Central Highway, approximately 160 kilometres north of Melbourne. Although the town's population is only seventeen thousand, this increases to around seventy-five thousand when the district is included. The Matlock Police Station is typical of a Victorian country town, with a Uniform Branch and a Criminal Investigation Branch (CIB). The CIB is headed by Detective Sergeant Vic Maddern, who grew up in the Matlock district and is an accomplished bushman. Second in command is Detective Allan Curtis, aged in his mid-twenties. Previously from Melbourne, Curtis has just been sent to his first country posting (against his will) when the series begins. Head of the Uniform Branch is Sergeant Bert Kennedy, an Englishman who migrated to Australia in 1950. A thorough but also easy-going man with a good sense of humour, Kennedy is married to Nell and enjoys the country life in Matlock, so much so that he has knocked back promotion to avoid moving to Melbourne. Several constables are attached to the Uniform Branch, but the most prominent is a motorcycle cop, Constable Gary Hogan, who performs a wide variety of duties. Hogan is about thirty, a friendly, easy-going person who grew up in the country and is always willing to help in whatever work is going.

      Number in series: 168
      1974 .
      person or book cover
      Script cover page (from the Crawford Collection at the AFI Research Collection)
      Extent: 35p.
      (Manuscript) assertion
      Note/s:
      • The script is an original script, typed on thin white paper and labelled 'Episode M11R' on the cover page. A notation in blue ink in the upper right-hand corner of the cover page indicates that this script was designated for 'Sophie'.
      • The script is amended throughout with liquid paper, which has been either typed over or corrected with black ink (see, for example, the second page of the character notes for an example of the latter). The amendments are at a copy-editing level (corrections to typing mistakes, for example) rather than alterations to dialogue or stage directions. Some pages have become stuck to one another during storage.
      • The file also contains the following ancillary material, access to some of which is restricted:

        1. Casting call sheets.

        2. Cast lists.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC MAT : 168
Last amended 30 May 2013 15:36:43
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