AustLit logo

AustLit

form y separately published work icon Ski-do single work   film/TV   crime  
Issue Details: First known date: 1973... 1973 Ski-do
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

The script held in the Crawford Collection in the AFI Research Collection contains the following character notes (excluding regular characters):

'MARK WALKER. Late twenties. Smooth, tough, cool. Very fond of his sister who's [sic] death he wishes to avenge.

'PETER YOUNG. Late twenties. Handsome Ski Instructor. Likeable personality. Complete libertine.

'CAROL GREEN. Twenties. Attractive. Good figure. The pleasures of becoming the boss's wife have faded. She looks for excitement outside the marriage bed - and finds it.

'CHARLES GREEN. Fifties or older. Austrian - now resident in Australia. He's very jealous of his young wife. We shall come to sympathise with him.

'LILIAN DAVIS. Late thirties. Well dressed, well kept - and well off. She can indulge her fancies. As she gets older - the men get younger.

'TED SCOTT. Mid thirties. General factotum around the Lodge. Friends with everyone. Eager to please.

'RECEPTIONIST. Twenties. Attractive. Personable.

'MANAGER. 50's. Genial - helpful. Could be Continental.

'BOBBY. No lines, but direction needed.

'YOUNG MAN. Extra.

'MARK'S GIRL. No lines, but direction needed.

'YOUNG GIRL. Extra.

'GUNTHER STRAUSS. Part to be played by actual Ski Instructor/Stuntman.'

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship: see The Writer in Australian Television History.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Note: Storey notes that Jacob was credited as director, Sheen as film director, and Burstall as assistant film director.
    • Melbourne, Victoria,: Crawford Productions ; Network Ten , 1973 .
      Extent: 47 min. 26 secs (according to the script)p.
      Series: form y separately published work icon Matlock Police Terry Stapleton , Ian Jones , Everett de Roche , Ian Jones , Terry Stapleton , Keith Hetherington , Patrick Edgeworth , Tom Hegarty , Douglas Tainsh , Graeme Koetsveld , Peter A. Kinloch , Sonia Borg , Don Battye , Robert Caswell , George T. Miller , Gwenda Marsh , Cliff Green , Vince Moran , Luis Bayonas , David William Boutland , Phil Freedman , Keith Thompson , Denise Morgan , C.F. Barnes , Robert Bruce , Alan Cram , Vern Perry , Martin Robbins , John Dingwall , George Mallaby , Jim Stapleton , Simon Wincer , Melbourne Australia : Crawford Productions Network Ten , 1971-1976 Z1638563 1971 series - publisher film/TV detective crime

      The Matlock Police series (originally simply titled Matlock) was commissioned from Crawford Productions by ATV-0, in response to the popularity of rival-network police dramas such as Homicide and Division 4. Crawford's was initially reluctant to create another police series, but ATV-0 pressured the company for some time. Eventually, Ian Jones and Terry Stapleton devised the concept of a regional (Victorian) police series to provide viewers with something different. The more relaxed atmosphere of the country-town setting also allowed the writers to delve into the private lives of the main characters, rather than focusing heavily on big-city organised crime. In this respect, the series was situated somewhere between Homicide/Division 4 and Bellbird. The series did, however, cover typical rural policing, including such issues as break and enters, domestic issues, itinerant workers, brawls, petty crime and robberies, road accidents, the occasional homicide, and cattle rustling. On other occasions, the Matlock police also assisted Melbourne police in locating criminals on the run (among other problems). The idea behind the show was to reflect the causes of crime in a small community and show the effects on both the community and the officers themselves.

      The fictional town of Matlock (loosely based on Shepparton in Victoria) is situated inland on the Central Highway, approximately 160 kilometres north of Melbourne. Although the town's population is only seventeen thousand, this increases to around seventy-five thousand when the district is included. The Matlock Police Station is typical of a Victorian country town, with a Uniform Branch and a Criminal Investigation Branch (CIB). The CIB is headed by Detective Sergeant Vic Maddern, who grew up in the Matlock district and is an accomplished bushman. Second in command is Detective Allan Curtis, aged in his mid-twenties. Previously from Melbourne, Curtis has just been sent to his first country posting (against his will) when the series begins. Head of the Uniform Branch is Sergeant Bert Kennedy, an Englishman who migrated to Australia in 1950. A thorough but also easy-going man with a good sense of humour, Kennedy is married to Nell and enjoys the country life in Matlock, so much so that he has knocked back promotion to avoid moving to Melbourne. Several constables are attached to the Uniform Branch, but the most prominent is a motorcycle cop, Constable Gary Hogan, who performs a wide variety of duties. Hogan is about thirty, a friendly, easy-going person who grew up in the country and is always willing to help in whatever work is going.

      Number in series: 123
      1973 .
      person or book cover
      Script cover page (from the Crawford Collection at the AFI Research Collection)
      Extent: 59p.
      (Manuscript) assertion
      Note/s:
      • The Crawford Collection holds three copies of this script.
      • The first is the original script, typed on thin white paper, labelled 'Episode 9A' on the cover page, and annotated throughout (including the cover page) with liquid paper, which has then been typed over. These annotations are at the copy-editing level (altering 'VACUM' to 'VACUUM' on page 1, for example), rather than significant changes to dialogue or stage directions.
      • The other two scripts are copies on pink paper, both with the notation 'M L' in black ink in the top right-hand corner of the cover page. Neither of these copies shows any sign of annotation past the cover page.
      • The file also includes the following ancillary material, access to some of which is restricted:
        1. Casting call sheets.
        2. Cast list.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC MAT : 123
Last amended 30 May 2013 15:30:17
X