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form y separately published work icon Cheeky Charlie single work   film/TV   crime  
Issue Details: First known date: 1972... 1972 Cheeky Charlie
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AbstractHistoryArchive Description

The script held in the Crawford Collection in the AFI Research Collection includes the following character notes (excluding regular characters):

'CHEEKY CHARLIE: 65. "Cheeky Charlie" had been a fairly well known Tiv personality at the time of "Mo", George Wallace, etc.

'When Charlie started to slide (through a combination of T.V. and the bottle) he and his assistant, Bluebell [sic] took to the road. Charlie put on the occasional show for the kids, including punch and judy [sic] and tuned pianos when he could get the work. He deludes himself that he could always stop drinking the moment he felt like it, but blames the lack of $100 or so to get new costumes and a good, reliable agent. Then, he says, he can make his big come-back.

'BLUEBELL: His assistant for the last thirty years. She has now gone completely to seed. Not educated. Single. Loyal. Accepts whatever life has to dish up.

'BERNARD AUSTIN (BIG BERNIE): 45. Old acquaintance. Itinerant (ex side show pug) Big man. His boxing days have left him with some brain damage. Slow, can be violent.

'JUDY AUSTIN: 28. His wife. Much younger. A bit tarty. Well worn, but has worn well.

'COLIN: Young, handsome, uni student. Arrogant. Completely sure of himself.

'DAVID: Colin's mate. Also from uni. Quieter, he looks up to Colin, tries to emulate his outlook.

'HEWITT: Farmer where they're working.

'EXTRAS (4): Pickers.

'1ST WOMAN: Housewife. Mid-aged. Retiring nature. No sense of humour.

'2ND WOMAN: Housewife - any age.

'DOCTOR:

'TEACHER AND SCHOOL CHILDREN: Actuals if possible.'

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship: see The Writer in Australian Television History.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Note: Storey suggests that Jacob was credited as director and Miller as film director.
    • Melbourne, Victoria,: Crawford Productions ; Network Ten , 1972 .
      Extent: 46 min. 49 secs (according to the script)p.
      Series: form y separately published work icon Matlock Police Terry Stapleton , Ian Jones , Everett de Roche , Ian Jones , Terry Stapleton , Keith Hetherington , Patrick Edgeworth , Tom Hegarty , Douglas Tainsh , Graeme Koetsveld , Peter A. Kinloch , Sonia Borg , Don Battye , Robert Caswell , George T. Miller , Gwenda Marsh , Cliff Green , Vince Moran , Luis Bayonas , David William Boutland , Phil Freedman , Keith Thompson , Denise Morgan , C.F. Barnes , Robert Bruce , Alan Cram , Vern Perry , Martin Robbins , John Dingwall , George Mallaby , Jim Stapleton , Simon Wincer , Melbourne Australia : Crawford Productions Network Ten , 1971-1976 Z1638563 1971 series - publisher film/TV detective crime

      The Matlock Police series (originally simply titled Matlock) was commissioned from Crawford Productions by ATV-0, in response to the popularity of rival-network police dramas such as Homicide and Division 4. Crawford's was initially reluctant to create another police series, but ATV-0 pressured the company for some time. Eventually, Ian Jones and Terry Stapleton devised the concept of a regional (Victorian) police series to provide viewers with something different. The more relaxed atmosphere of the country-town setting also allowed the writers to delve into the private lives of the main characters, rather than focusing heavily on big-city organised crime. In this respect, the series was situated somewhere between Homicide/Division 4 and Bellbird. The series did, however, cover typical rural policing, including such issues as break and enters, domestic issues, itinerant workers, brawls, petty crime and robberies, road accidents, the occasional homicide, and cattle rustling. On other occasions, the Matlock police also assisted Melbourne police in locating criminals on the run (among other problems). The idea behind the show was to reflect the causes of crime in a small community and show the effects on both the community and the officers themselves.

      The fictional town of Matlock (loosely based on Shepparton in Victoria) is situated inland on the Central Highway, approximately 160 kilometres north of Melbourne. Although the town's population is only seventeen thousand, this increases to around seventy-five thousand when the district is included. The Matlock Police Station is typical of a Victorian country town, with a Uniform Branch and a Criminal Investigation Branch (CIB). The CIB is headed by Detective Sergeant Vic Maddern, who grew up in the Matlock district and is an accomplished bushman. Second in command is Detective Allan Curtis, aged in his mid-twenties. Previously from Melbourne, Curtis has just been sent to his first country posting (against his will) when the series begins. Head of the Uniform Branch is Sergeant Bert Kennedy, an Englishman who migrated to Australia in 1950. A thorough but also easy-going man with a good sense of humour, Kennedy is married to Nell and enjoys the country life in Matlock, so much so that he has knocked back promotion to avoid moving to Melbourne. Several constables are attached to the Uniform Branch, but the most prominent is a motorcycle cop, Constable Gary Hogan, who performs a wide variety of duties. Hogan is about thirty, a friendly, easy-going person who grew up in the country and is always willing to help in whatever work is going.

      Number in series: 57
      1972 .
      person or book cover
      Script cover page (Crawford Collection at the AFI Research Collection)
      Extent: 83p.
      (Manuscript) assertion
      Note/s:
      • The file holds two copies of the script, both copied on pink paper and labelled 'Episode 4S' on the cover page. Copy 1 has a notation in the top right-hand corner of the cover page in blue felt pen, which reads, 'Bob Gardiner'. (According to Crawford Productions tribute website [crawfordproductions.tv], Bob Gardiner was head of the sound department.) Copy 2 has no indication of to whom this copy of the script is designated, but does have a notation on the cover page in blue felt pen, reading, 'P.19 missing'.
      • Copy 1 has minimal annotations in blue ink, restricted to the filming of scenes (no changes to dialogue or stage directions): see, for example, page 43.
      • Copy 2 also shows annotations: pages 79 to 83 inclusive, for example, have been slashed through once each with black ink. The annotations on this script also include some minor changes to dialogue (see page 72) and some notes on the staging of scenes (see back of page 71), also in black ink. There are no further signs of annotation.
      • The file includes the following ancillary materials, access to some of which is restricted:
        1. A memo from script editor Graham Foreman, dated 16th February 1972, outlining changes to dialogue in two scenes. To this memo are stapled two amended pages (the page numbers for both of which would have been recorded at the top of the page, but have been cut off in the copying process) and a new page, 66a.
        2. Casting call sheets.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC MAT : 57
Last amended 30 May 2013 15:18:11
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