AustLit logo

AustLit

16 Poems from the Japanese sequence   poetry  
Issue Details: First known date: 2012... 2012 16 Poems from the Japanese
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Includes

Untitled i "Ah, how many dewdrops are falling", Saigyo , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 30) Selected Poems 1990; (p. 195) New Selected Poems 1998; (p. 184)
Untitled i "Sorcerer, who flies through heaven,", Maboroshi , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 30) Selected Poems 1990; (p. 195) New Selected Poems 1998; (p. 184)
Untitled i "In the shade of a willow", Saigyo , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 30) Selected Poems 1990; (p. 195-196) New Selected Poems 1998; (p. 184)
Untitled i "Water drips from moss", Ryokan , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 30) Selected Poems 1990; (p. 196) New Selected Poems 1998; (p. 184)
Untitled i "The days that have gone by", Hanazono , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 30) Selected Poems 1990; (p. 196) New Selected Poems 1998; (p. 185)
Untitled i "I sit and look back on", Ryokan , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 31) Selected Poems 1990; (p. 196) New Selected Poems 1998; (p. 185)
Untitled i "A light snowfall", Ryokan , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 31) Selected Poems 1990; (p. 196) New Selected Poems 1998; (p. 185)
Untitled i "Haze rises", Ryokan , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 31) Selected Poems 1990; (p. 197) New Selected Poems 1998; (p. 185)
Untitled i "As the sunset ends", Kyoguku Tamekame , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 31) Selected Poems 1990; (p. 197) New Selected Poems 1998; (p. 185)
Untitled i "Early summer rain", Basho , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 31) Selected Poems 1990; (p. 197) New Selected Poems 1998; (p. 186)
Untitled i "Ah, look!", Buson , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 32) Selected Poems 1990; (p. 197) New Selected Poems 1998; (p. 186)
Untitled i "A camellia fell;", Hori Bakusui , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 32) Selected Poems 1990; (p. 197) New Selected Poems 1998; (p. 186)
Untitled i "Clear autumn day;", Nishigaki Shu , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 32) Selected Poems 1990; (p. 197) New Selected Poems 1998; (p. 186)
Untitled i "The crows' calling", Aro Usuda , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 32) Selected Poems 1990; (p. 198) New Selected Poems 1998; (p. 186)
Untitled i "Even now, I never linger", Dogen , Robert Gray (translator), Kazuaki Tanahashi (translator), 1984 single work poetry
— Appears in: The Age Monthly Review (Fiction & Poetry Journal) , November vol. 1 no. 5 1984; (p. 4) Piano 1988; (p. 30) Selected Poems 1990; (p. 195) New and Selected Poems 1995; (p. 184-186) New Selected Poems 1998; (p. 184)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Cumulus : Collected Poems Robert Gray , St Kilda : John Leonard Press , 2012 Z1893435 2012 selected work poetry 'This book is a landmark in Australian poetry. For Cumulus, Robert Gray has chosen all he wishes to retain from his eight volumes of poetry, some of it considerably and significantly revised. He has included here a new book, "Nameless Earth", not previously published in Australia.

    'Gray has been a daring and original experimenter in the free verse line, and also at times with traditional forms. Equally, his work is notable for its frequent, uncanny rightness in the creation of images. His thinking shows a remarkable fluency in both Eastern and Western philosophies (Gray has referred to himself as a Buddhist heretic). These are all modernist pathways, and this poetry negotiates them with a lucid, classical temper.

    'Most striking is an ever-alert immediacy—a perception and reflectiveness in the fluid moment. Whether through his sensuous language or his powerful engagement with ideas, Gray's poetry continually opens us to a fresh involvement with the physical world.' (From the publisher's website.)
    St Kilda : John Leonard Press , 2012
    pg. 133-135
Last amended 11 Feb 2013 12:09:58
Newspapers:
    Powered by Trove
    X