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form y separately published work icon They'll Fix You Up, No Worries single work   film/TV   crime  
Issue Details: First known date: 1974... 1974 They'll Fix You Up, No Worries
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AbstractHistoryArchive Description

The script held in the Crawford Collection in the AFI Research Collection includes the following character notes:

'BEVERLY JONES. Late forties. An ex-nurse. Hard, disillusioned. Drives.

'SID WALKER. A few years younger. Her de facto husband. Unscrupulous. He is afraid of physical violence, but brave as long as he is faced with someone weaker than himself. Drives.

'KIRSTY ANDERSON. 16 years old. Still goes to school: the Convent. She has fallen for Cliff because he in handsome, and because she is old enough now to be in love. The events of the story make her grow up.

'CLIFF WELLS. Mid-twenties. Good looking. Thought Kirsty a sweet kid, nice to have a good time with. He sees abortion as the obvious answer to an unwanted pregnancy. Drives.

'AILEEN MILLER. Late twenties or early thirties. Unhappily married. Did not want another child because her husband drinks heavily and then becomes violent towards her and her son. Drives a car.

'DOUG MILLER. Mid-thirties. Filled with resentment towards his wife and child because he thinks they have forced him to abandon a colourful career. He drinks.

'TOMMY MILLER: Seven year old boy. Should be small for his age. He has the air of a grown-up like many children who live in constant fear.

'DR. KAREN BROWN A doctor at the Matlock hospital. She believes in abortion-law reform; she is slightly defiant towards Maddern, though she considers him to be more human than most police.

'NATALIE. Hairdresser who arranges abortions.

'MRS. CARTINI. A middle-aged migrant woman. Completely out of her depth: she does not speak English well, knows only one thing: it is a sin to have an abortion. Yet she is willing to commit it because she can't face having another child.

'O'NEIL. A log-contractor. Likeable, helpful. (Strong build, outdoor type essential).'

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship: see The Writer in Australian Television History.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Melbourne, Victoria,: Crawford Productions ; Network Ten , 1974 .
      Extent: 48 min. 17 secs (according to the script)p.
      Series: form y separately published work icon Matlock Police Terry Stapleton , Ian Jones , Everett de Roche , Ian Jones , Terry Stapleton , Keith Hetherington , Patrick Edgeworth , Tom Hegarty , Douglas Tainsh , Graeme Koetsveld , Peter A. Kinloch , Sonia Borg , Don Battye , Robert Caswell , George T. Miller , Gwenda Marsh , Cliff Green , Vince Moran , Luis Bayonas , David William Boutland , Phil Freedman , Keith Thompson , Denise Morgan , C.F. Barnes , Robert Bruce , Alan Cram , Vern Perry , Martin Robbins , John Dingwall , George Mallaby , Jim Stapleton , Simon Wincer , Melbourne Australia : Crawford Productions Network Ten , 1971-1976 Z1638563 1971 series - publisher film/TV detective crime

      The Matlock Police series (originally simply titled Matlock) was commissioned from Crawford Productions by ATV-0, in response to the popularity of rival-network police dramas such as Homicide and Division 4. Crawford's was initially reluctant to create another police series, but ATV-0 pressured the company for some time. Eventually, Ian Jones and Terry Stapleton devised the concept of a regional (Victorian) police series to provide viewers with something different. The more relaxed atmosphere of the country-town setting also allowed the writers to delve into the private lives of the main characters, rather than focusing heavily on big-city organised crime. In this respect, the series was situated somewhere between Homicide/Division 4 and Bellbird. The series did, however, cover typical rural policing, including such issues as break and enters, domestic issues, itinerant workers, brawls, petty crime and robberies, road accidents, the occasional homicide, and cattle rustling. On other occasions, the Matlock police also assisted Melbourne police in locating criminals on the run (among other problems). The idea behind the show was to reflect the causes of crime in a small community and show the effects on both the community and the officers themselves.

      The fictional town of Matlock (loosely based on Shepparton in Victoria) is situated inland on the Central Highway, approximately 160 kilometres north of Melbourne. Although the town's population is only seventeen thousand, this increases to around seventy-five thousand when the district is included. The Matlock Police Station is typical of a Victorian country town, with a Uniform Branch and a Criminal Investigation Branch (CIB). The CIB is headed by Detective Sergeant Vic Maddern, who grew up in the Matlock district and is an accomplished bushman. Second in command is Detective Allan Curtis, aged in his mid-twenties. Previously from Melbourne, Curtis has just been sent to his first country posting (against his will) when the series begins. Head of the Uniform Branch is Sergeant Bert Kennedy, an Englishman who migrated to Australia in 1950. A thorough but also easy-going man with a good sense of humour, Kennedy is married to Nell and enjoys the country life in Matlock, so much so that he has knocked back promotion to avoid moving to Melbourne. Several constables are attached to the Uniform Branch, but the most prominent is a motorcycle cop, Constable Gary Hogan, who performs a wide variety of duties. Hogan is about thirty, a friendly, easy-going person who grew up in the country and is always willing to help in whatever work is going.

      Number in series: 145
      1974 .
      person or book cover
      Script cover page (Crawford Collection at the AFI Research Collection)
      Extent: 64p.
      (Manuscript) assertion
      Note/s:
      • Two copies of the script, both copied on pink paper and labelled 'Episode 9Z' on the cover page.
      • Copy 1 has a notation in the top right-hand corner of the cover page in black ink, reading, 'Natalie'.
      • Copy 2 has a notation in the top right-hand corner of the cover page in black ink, reading, 'Co-ord'.
      • Neither copy of the script is annotated, and the file does not include any additional materials.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC MAT : 145
Last amended 30 May 2013 15:32:46
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