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person or book cover
Screen cap from opening credits
form y separately published work icon The Witch single work   film/TV   crime  
Issue Details: First known date: 1975... 1975 The Witch
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AbstractHistoryArchive Description

The script held in the Crawford Collection in the AFI Research Collection contains the following character notes (excluding regular characters):

'MRS. FOLEY: In her mid-forties. She looks frail and worn and ordinary. She has had a hard life, and there is no relief in sight. The one thing that helps her overcome the drabness of her existence is her firm conviction that she has the gift of clairvoyance and telepathy. She feels 'selected' 'chosen'. She believes she loves her invalid daughter, but subconsciously she rejects her, and blames her for much of her own misery.

'SIMONE FOLEY: Twenty years old. Confined to a wheelchair. To some extent one could say she is a telepathist: she senses her mother's rejection. Cut off from all outside contact for years, and exposed to her mother's personality, she is on the verge of a mental breakdown.

'RAPLH DONALDSON: About sixty. Well-to-do beef farmer. At first sight he appears a jovial magnanimous bloke, always ready to lend a hand. Underneath it all he is intolerant and superstitious. Though he at first maintains Mrs. Foley has no supernatural powers, he actually believes she does possess them. He is afraid of appearing ridiculous.

'TONY WALLACE: Matlock Brigade captain.'

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship: see The Writer in Australian Television History.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Melbourne, Victoria,: Crawford Productions ; Network Ten , 1975 .
      person or book cover
      Screen cap from opening credits
      Extent: 48 min. 22 secs (according to the script)p.
      Series: form y separately published work icon Matlock Police Terry Stapleton , Ian Jones , Everett de Roche , Ian Jones , Terry Stapleton , Keith Hetherington , Patrick Edgeworth , Tom Hegarty , Douglas Tainsh , Graeme Koetsveld , Peter A. Kinloch , Sonia Borg , Don Battye , Robert Caswell , George T. Miller , Gwenda Marsh , Cliff Green , Vince Moran , Luis Bayonas , David William Boutland , Phil Freedman , Keith Thompson , Denise Morgan , C.F. Barnes , Robert Bruce , Alan Cram , Vern Perry , Martin Robbins , John Dingwall , George Mallaby , Jim Stapleton , Simon Wincer , Melbourne Australia : Crawford Productions Network Ten , 1971-1976 Z1638563 1971 series - publisher film/TV detective crime

      The Matlock Police series (originally simply titled Matlock) was commissioned from Crawford Productions by ATV-0, in response to the popularity of rival-network police dramas such as Homicide and Division 4. Crawford's was initially reluctant to create another police series, but ATV-0 pressured the company for some time. Eventually, Ian Jones and Terry Stapleton devised the concept of a regional (Victorian) police series to provide viewers with something different. The more relaxed atmosphere of the country-town setting also allowed the writers to delve into the private lives of the main characters, rather than focusing heavily on big-city organised crime. In this respect, the series was situated somewhere between Homicide/Division 4 and Bellbird. The series did, however, cover typical rural policing, including such issues as break and enters, domestic issues, itinerant workers, brawls, petty crime and robberies, road accidents, the occasional homicide, and cattle rustling. On other occasions, the Matlock police also assisted Melbourne police in locating criminals on the run (among other problems). The idea behind the show was to reflect the causes of crime in a small community and show the effects on both the community and the officers themselves.

      The fictional town of Matlock (loosely based on Shepparton in Victoria) is situated inland on the Central Highway, approximately 160 kilometres north of Melbourne. Although the town's population is only seventeen thousand, this increases to around seventy-five thousand when the district is included. The Matlock Police Station is typical of a Victorian country town, with a Uniform Branch and a Criminal Investigation Branch (CIB). The CIB is headed by Detective Sergeant Vic Maddern, who grew up in the Matlock district and is an accomplished bushman. Second in command is Detective Allan Curtis, aged in his mid-twenties. Previously from Melbourne, Curtis has just been sent to his first country posting (against his will) when the series begins. Head of the Uniform Branch is Sergeant Bert Kennedy, an Englishman who migrated to Australia in 1950. A thorough but also easy-going man with a good sense of humour, Kennedy is married to Nell and enjoys the country life in Matlock, so much so that he has knocked back promotion to avoid moving to Melbourne. Several constables are attached to the Uniform Branch, but the most prominent is a motorcycle cop, Constable Gary Hogan, who performs a wide variety of duties. Hogan is about thirty, a friendly, easy-going person who grew up in the country and is always willing to help in whatever work is going.

      Number in series: 204
      1975 .
      person or book cover
      Script cover page (Crawford Collection at the AFi Reserch Collection)
      Extent: 60p.
      (Manuscript) assertion
      Note/s:
      • The file contains contains two copies of the script, both labelled 'Episode 04486' on the cover page.
      • Copy 1 is an original script, typed on thin white paper and giving no indication of to whom this copy of the script is designated. It is amended throughout with liquid paper and white stickers, which have then been typed over. Many of the annotations are at a copy-editing level (corrections to typing mistakes, for example), but some represent more wholesale changes to dialogue or stage directions (see, for example, page 18).
      • Copy 2 is a copy printed on a combination of pink and white paper, and lacking any indication of to whom this copy of the script is designated. There are no signs of annotations on this copy of the script.
      • The file also contains the following ancillary material, access to some of which is restricted:
        1. Cast list.
        2. Casting call sheets.
        3. Shooting schedules and other documents related to production.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC MAT : 204
Last amended 30 May 2013 15:41:28
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