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person or book cover
Script cover page (Crawford Collection at the AFI Research Collection)
form y separately published work icon Just a Friendly Blue single work   film/TV   crime  
Issue Details: First known date: 1974... 1974 Just a Friendly Blue
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AbstractHistoryArchive Description

The script held in the Crawford Collection in the AFI Research Collection includes the following character notes (excluding regular characters):

'MICK CONDON: 35 years old. Tall, dark, handsome, reckless Aerial Agriculturist. Matlock's most eligible bachelor. A local hero, he wins the Matlock Aero Club Cup every year. He is constantly at war with the Department of Transport, D.O.T., calls them the Department of Trouble. He always avoids prosecution for breaking flying rules, because all the witnesses were "IN THE TOILET" at the time. He is used to having his way at all times. A winner. Life is one continual competition and game to him.

'BOB TEMPLE: 35 years old. Nicknamed "SHIRL" because of his name and his blonde curly hair. A little bloke, he is Mick's best friend, partner and mechanic. He is the real worker of their Aerial Spraying Business. He follows Mick around like a little puppy, checking all is well and rolling out the red carpet when necessary. Mick "PROTECTS" Shirl like a brother and woe betide anyone who picks on his little mate.

'MONICA PEARSON: 30 years old. A tall, beautiful girl, her beauty is a great foil to Mick's good looks and he is well aware of the fact. She is his girlfriend and lover but refuses to marry him until he reforms some of his reckless ways.

'KEITH FORBES: 45 years old. A dairy farmer. He has a dry sense of humour, likes Mick Condon, and is "IN THE TOILET" when required.

'HARRY: Thirties. Loves a beer, a fight and a bird, in that order.

'SCONER: Thirties. Loves a beer, a fight and a bird, in that order also.

'BARNEY: Thirties. Loves a beer, a fight and a bird, in that order. These three went to school together, now work together. A team. Great minds think alike. No one could break up their mateship.

'PETER NELSON: Ten/Twelve years old. A lonely child and because of this he is an expert at making up games.

'MRS. NELSON: Thirties. A worried mother. Concerned for her child's welfare.

'FARMER#1: Forties. Dry. Always been on the right side of the law but is an expert at avoiding questions.

'FARMER#2: Forties. Similar type, but perhaps less of an expert at lying.

'TWO AMBULANCE ASSISTANTS:

'MILK TRUCK DRIVER:

'PILOTS: Actuals from the Police Aero Club and the Lilydale Aero Club.'

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship: see The Writer in Australian Television History.

Publication Details of Only Known VersionEarliest 2 Known Versions of

      1974 .
      person or book cover
      Script cover page (Crawford Collection at the AFI Research Collection)
      Extent: 57p.
      (Manuscript) assertion
      Note/s:
      • The script is copied on a combination of pink and white paper and labelled 'Episode 04480' on the cover page. A notation in black felt pen in the top right-hand corner of the script indicates that this copy is 'Directors': under this is written 'Marek'. The cover page is further annotated in black felt pen.
      • The script is heavily annotated throughout in red ink, black felt pen, blue ink, green ink, green felt pen, and lead pencil. The annotations cover the blocking of scenes (sketched on the reverse of pages), deletions and additions to the stage directions, directorial notations, and alterations to the dialogue (deletions rather than additions).
      • The script is held in a manila folder labelled (in red felt pen and blue ink) 'BUZZ TRACKS / THE APPROPRIATE BUZZ TRACKS TO BE PUT OVER ALL LIVE SCENES'.
      • Stapled to the front of the script are a number of memos:
        1. Three-page memo from Denise Morgan (script editor) dated 21st March 1975, including the script for two additional live scenes that 'are to be recorded to bring this show up to time.'
        2. One-page memo from Julie Miller (who, according to Crawford Productions tribute website crawfordproductions.tv, worked in continuity) to Henry Crawford (producer) and Peter Zerbe (head of film editing), dated 28th February 1975, outlining the final duration of live timing and location timing. This memo is heavily annotated in blue and black felt pen.
        3. Six pages of loose script, lightly annotated in lead pencil.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC MAT : 198
    • Melbourne, Victoria,: Crawford Productions ; Network Ten , 1975 .
      person or book cover
      Screen cap from opening credits
      Extent: 47 min. 29 secs (according to the script's cover page)p.
      Series: form y separately published work icon Matlock Police Terry Stapleton , Ian Jones , Everett de Roche , Ian Jones , Terry Stapleton , Keith Hetherington , Patrick Edgeworth , Tom Hegarty , Douglas Tainsh , Graeme Koetsveld , Peter A. Kinloch , Sonia Borg , Don Battye , Robert Caswell , George T. Miller , Gwenda Marsh , Cliff Green , Vince Moran , Luis Bayonas , David William Boutland , Phil Freedman , Keith Thompson , Denise Morgan , C.F. Barnes , Robert Bruce , Alan Cram , Vern Perry , Martin Robbins , John Dingwall , George Mallaby , Jim Stapleton , Simon Wincer , Melbourne Australia : Crawford Productions Network Ten , 1971-1976 Z1638563 1971 series - publisher film/TV detective crime

      The Matlock Police series (originally simply titled Matlock) was commissioned from Crawford Productions by ATV-0, in response to the popularity of rival-network police dramas such as Homicide and Division 4. Crawford's was initially reluctant to create another police series, but ATV-0 pressured the company for some time. Eventually, Ian Jones and Terry Stapleton devised the concept of a regional (Victorian) police series to provide viewers with something different. The more relaxed atmosphere of the country-town setting also allowed the writers to delve into the private lives of the main characters, rather than focusing heavily on big-city organised crime. In this respect, the series was situated somewhere between Homicide/Division 4 and Bellbird. The series did, however, cover typical rural policing, including such issues as break and enters, domestic issues, itinerant workers, brawls, petty crime and robberies, road accidents, the occasional homicide, and cattle rustling. On other occasions, the Matlock police also assisted Melbourne police in locating criminals on the run (among other problems). The idea behind the show was to reflect the causes of crime in a small community and show the effects on both the community and the officers themselves.

      The fictional town of Matlock (loosely based on Shepparton in Victoria) is situated inland on the Central Highway, approximately 160 kilometres north of Melbourne. Although the town's population is only seventeen thousand, this increases to around seventy-five thousand when the district is included. The Matlock Police Station is typical of a Victorian country town, with a Uniform Branch and a Criminal Investigation Branch (CIB). The CIB is headed by Detective Sergeant Vic Maddern, who grew up in the Matlock district and is an accomplished bushman. Second in command is Detective Allan Curtis, aged in his mid-twenties. Previously from Melbourne, Curtis has just been sent to his first country posting (against his will) when the series begins. Head of the Uniform Branch is Sergeant Bert Kennedy, an Englishman who migrated to Australia in 1950. A thorough but also easy-going man with a good sense of humour, Kennedy is married to Nell and enjoys the country life in Matlock, so much so that he has knocked back promotion to avoid moving to Melbourne. Several constables are attached to the Uniform Branch, but the most prominent is a motorcycle cop, Constable Gary Hogan, who performs a wide variety of duties. Hogan is about thirty, a friendly, easy-going person who grew up in the country and is always willing to help in whatever work is going.

      Number in series: 198
Last amended 30 May 2013 15:40:13
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