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y separately published work icon Collected Verse of John Shaw Neilson collected work   poetry  
Issue Details: First known date: 2012... 2012 Collected Verse of John Shaw Neilson
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Notes

  • Verses Period 1 1890-1906 -- Verses Period 2 1907-1916 -- Verses Period 3 1917-1927 -- Verses Period 4 1928-1942 -- Verses that cannot be assigned a date -- Verses of doubtful attribution.
  • Contents indexed selectively.

Contents

* Contents derived from the Crawley, Inner Perth, Perth, Western Australia,:UWA Publishing , 2012 version. Please note that other versions/publications may contain different contents. See the Publication Details.
A Buttercup in Junei"All the blue of the skies", John Shaw Neilson , single work poetry (p. 7)
A Difficult Matteri"A girl in a choir up at Brim", John Shaw Neilson , single work poetry (p. 7)
A Face in the Crowdi"A crowd, a mighty crowd.", John Shaw Neilson , single work poetry (p. 7-8)
A Friendless Youth He Was but Full of Hopei"A friendless youth he was, but full of hope,", John Shaw Neilson , single work poetry (p. 8)
Note: Editor's note : [Incomplete]
A Protest and a Protesti"A certain old maid at Port Victor", John Shaw Neilson , single work poetry (p. 8-9)
A Remarkable Lambi"There is no mention of its sire,", John Shaw Neilson , single work poetry (p. 9-11)
As the Years Go Byi"When the songbirds all were singing", John Shaw Neilson , single work poetry (p. 11)
At the End of Springi"Put down thy bonny head,", John Shaw Neilson , single work poetry (p. 11-12)
Baby's Asleepi"Baby's asleep? His little life is o'er,", John Shaw Neilson , single work poetry (p. 12-13)
Baby's Prayeri"Baby is very bright,", John Shaw Neilson , single work poetry (p. 13)
Before the Looking Glassi"When Jenny was a little girl", John Shaw Neilson , single work poetry (p. 14)
From the Cradle to the Gravei"The baby came with trouble", Basil Shaw , single work poetry (p. 14)
Bob and Deariei"She was a charming little girl,", John Shaw Neilson , single work poetry (p. 14-16)
Darby's Dreami"Old Darby was a-sleeping, but wide awake lay Joan -", John Shaw Neilson , single work poetry (p. 16-17)
Died on Servicei"'Twas there he found his rest", John Shaw Neilson , single work poetry (p. 17-18)
Emily Wynni"Emily Wynn", John Shaw Neilson , single work poetry (p. 18-20)
Father O'Connori"He's a little old man and his hair's snowy white,", John Shaw Neilson , single work poetry (p. 20-21)
The Moon Will Have a Sharei"Oh ye will toil in a fierce fight and smile in sun and rain,", John Shaw Neilson , single work poetry (p. 21)
Fitchett the Finderi"The great Horatio, how I dearly love him,", John Shaw Neilson , single work poetry (p. 21-22)
From E to Ci"Really, dear Charles, I owe you one more letter;", John Shaw Neilson , single work poetry (p. 22-24)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Crawley, Inner Perth, Perth, Western Australia,: UWA Publishing , 2012 .
      person or book cover
      Image courtesy of UWA Publishing.
      Extent: 531p.
      Note/s:
      • Introduction by Margaret Roberts.
      • Includes index.
      • Includes chronology.
      ISBN: 9781742584454 (pbk.)

Works about this Work

Aspects of Australian Poetry in 2012 Michelle Cahill , 2013 single work review
— Appears in: Westerly , June vol. 58 no. 1 2013; (p. 68-91)

'T he act of reading for appraisal rather than pleasure is a privilege that brings me to a deepened understanding of the contemporary in Australian poetry, the way the past is being framed, its traditions, celebrities and enigmas washed up in new and hybrid appearances or redressed in more conventional, sometimes nimbus forms. Judith Wright wrote that the ‘place to find clues is not in the present, it lies in the past: a shallow past, as all immigrants to Australia know, and all of us are immigrants.’ The discipline of reading to filter such a range of voices underlines my foreignness, making reading akin to translation, whilst reciprocally inviting the reader of this essay to become a foreigner to my assumptions and conclusions.' (Introduction)

Revisiting John Shaw Neilson Martin Duwell , 2012 single work review
— Appears in: Australian Poetry Journal , vol. 2 no. 2 2012; (p. 91-98)

— Review of Collected Verse of John Shaw Neilson John Shaw Neilson , 2012 collected work poetry
Delicate Songs of a Not-So-Simple Rhymer Ian McFarlane , 2012 single work review
— Appears in: The Weekend Australian , 20-21 October 2012; (p. 18-19)

— Review of Collected Verse of John Shaw Neilson John Shaw Neilson , 2012 collected work poetry
[Untitled] Bonny Cassidy , 2012 single work review
— Appears in: Southerly , vol. 72 no. 3 2012; (p. 197-202)

— Review of Collected Verse of John Shaw Neilson John Shaw Neilson , 2012 collected work poetry
Delicate Songs of a Not-So-Simple Rhymer Ian McFarlane , 2012 single work review
— Appears in: The Weekend Australian , 20-21 October 2012; (p. 18-19)

— Review of Collected Verse of John Shaw Neilson John Shaw Neilson , 2012 collected work poetry
Revisiting John Shaw Neilson Martin Duwell , 2012 single work review
— Appears in: Australian Poetry Journal , vol. 2 no. 2 2012; (p. 91-98)

— Review of Collected Verse of John Shaw Neilson John Shaw Neilson , 2012 collected work poetry
[Untitled] Bonny Cassidy , 2012 single work review
— Appears in: Southerly , vol. 72 no. 3 2012; (p. 197-202)

— Review of Collected Verse of John Shaw Neilson John Shaw Neilson , 2012 collected work poetry
Aspects of Australian Poetry in 2012 Michelle Cahill , 2013 single work review
— Appears in: Westerly , June vol. 58 no. 1 2013; (p. 68-91)

'T he act of reading for appraisal rather than pleasure is a privilege that brings me to a deepened understanding of the contemporary in Australian poetry, the way the past is being framed, its traditions, celebrities and enigmas washed up in new and hybrid appearances or redressed in more conventional, sometimes nimbus forms. Judith Wright wrote that the ‘place to find clues is not in the present, it lies in the past: a shallow past, as all immigrants to Australia know, and all of us are immigrants.’ The discipline of reading to filter such a range of voices underlines my foreignness, making reading akin to translation, whilst reciprocally inviting the reader of this essay to become a foreigner to my assumptions and conclusions.' (Introduction)

Last amended 10 Feb 2021 11:42:21
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