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AbstractHistoryArchive Description
'...When Piper and her friend Tash disappeared, there was a huge police search, but they were never found. Now Tash, reaching breaking point at the abuse their captor has inflicted on them, has escaped, promising to come back for Piper.
'Clinical psychologist Joe O'Loughlin and his stalwart companion, ex-cop Vincent Ruiz, force the police to re-open the case after Joe is called in to assess the possible killer of a couple in their own home and finds a connection to the missing girls. But they are racing against time to save Piper from someone with an evil, calculating and twisted mind...' (Hachette Australia website)
Adaptations
- form y Sag, es tut dir leid ( dir. Thomas Roth ) Germany : Network Movie , 2018 21216533 2018 single work film/TV
Affiliation Notes
-
Writing Disability in Australia
Type of disability Parkinson's disease.
Type of character Primary. Point of view First person.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Sound recording.
- Large print.
Works about this Work
-
Given Up for Dead
2012
single work
review
— Appears in: The New York Times Book Review , 4 November 2012; (p. 19)
— Review of Say You're Sorry 2012 single work novel -
Now, Read This
2012
single work
column
— Appears in: The Weekend Australian , 15-16 December 2012; (p. 22-23) The Weekend Australian , 5-6 January 2013; (p. 14-25) -
Missing Girl Muses
2012
single work
review
— Appears in: The Saturday Age , 15 September 2012; (p. 31) The Sydney Morning Herald , 15-16 September 2012; (p. 39)
— Review of Say You're Sorry 2012 single work novel -
Untitled
2012
single work
review
— Appears in: The Sun-Herald , 9 September 2012; (p. 15) The Sunday Age , 9 September 2012; (p. 14)
— Review of Say You're Sorry 2012 single work novel -
Unapologetically Tops
2012
single work
review
— Appears in: The Canberra Times , 11 August 2012; (p. 20)
— Review of Say You're Sorry 2012 single work novel
-
Unapologetically Tops
2012
single work
review
— Appears in: The Canberra Times , 11 August 2012; (p. 20)
— Review of Say You're Sorry 2012 single work novel -
Untitled
2012
single work
review
— Appears in: The Sun-Herald , 9 September 2012; (p. 15) The Sunday Age , 9 September 2012; (p. 14)
— Review of Say You're Sorry 2012 single work novel -
Missing Girl Muses
2012
single work
review
— Appears in: The Saturday Age , 15 September 2012; (p. 31) The Sydney Morning Herald , 15-16 September 2012; (p. 39)
— Review of Say You're Sorry 2012 single work novel -
Given Up for Dead
2012
single work
review
— Appears in: The New York Times Book Review , 4 November 2012; (p. 19)
— Review of Say You're Sorry 2012 single work novel -
Little Girls Lost
2012
single work
review
— Appears in: Publishers Weekly , 17 December vol. 259 no. 51 2012; (p. 41)
— Review of Say You're Sorry 2012 single work novel -
Now, Read This
2012
single work
column
— Appears in: The Weekend Australian , 15-16 December 2012; (p. 22-23) The Weekend Australian , 5-6 January 2013; (p. 14-25) -
Little Girls Lost : PW Talks with Michael Robotham
2012
single work
interview
— Appears in: Publishers Weekly , 20 August vol. 259 no. 34 2012;'Michael Robotham, author of the thriller Say You're Sorry, discusses the flawed character of Joe O'Laughlin, the challenge of writing from a teenag girl's perspective, what draws him to young adults in jeopardy and why he doesn't gloss over the violence in the book.' (Publication abstract)
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London,
cEngland,ccUnited Kingdom (UK),cWestern Europe, Europe,