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'In the second paragraph of Alex Miller's The Sitters (1995) the narrator informs us that his memory of Jessica Keal allows him 'to approach the last enigma of my life - my family and my childhood. That cold legacy of silence and absence' (2). Bernadette Brennan's fine essay on The Sitters, in the context of Maurice Blanchot's meditations on death, notes that the narrator never explains 'why his experience with Jessica has given him the energy to begin painting...his childhood' (104). That it does so is indisputable, and Peter Pierce points us in the right direction, in his article on 'The Solitariness of Alex Miller', when he observes that Jessica functions as 'a Wordsworthian trigger to recover past 'spots of time'' (305). The connection between the frame of the entire narrative - and I use the word 'frame' not only to indicate a narrative frame but also in the sense of a picture frame, since this is a novel that foregrounds the connections between literary and visual art, between a novelist creating a character and a painter creating a portrait.' (Author's introduction 78)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 11 Jul 2012 12:21:53
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The Presence of Absence in The Sitters
Subjects:
- The Sitters 1995 single work novel
- Literature and the Intimate Space of Death 2008 single work criticism
- Landscape of Farewell 2007 single work novel
- The Ancestor Game 1992 single work novel
- The Solitariness of Alex Miller 2004 single work criticism
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