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Passionate Amateurs : The Experimental Film and Television Fund and Modernist Film Practice in Australia
single work
Issue Details:
First known date:
2011...
2011
Passionate Amateurs : The Experimental Film and Television Fund and Modernist Film Practice in Australia
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AbstractHistoryArchive Description
'Most histories of the dynamism of the Australian film industry in the 1970s explore
feature films, but a vital part of the creativity and energy of the revival occurred in
the non-feature sector. A significant site of experimentation and originality in form,
content and technique was the Experimental Film and Television Fund (EFTF). From
its inception in 1970, The Australian Film Institute (AFI) managed the fund until
1977 when the Australian Film Commission (AFC) assumed control of it. Drawing
on a series of interviews with key players involved in the fund during the AFI's
tenure, and research for the book, Shining a Light: 50 Years of the Australian
Film Institute (French and Poole 2009), this article traces this significant period
of the history of Australian film production, and proposes that the AFI played an
important role in promoting modernist film practice, and the Australian film revival,
through its management of the EFTF.' (Editor's abstract)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 28 Jun 2012 15:58:02
171-183
Passionate Amateurs : The Experimental Film and Television Fund and Modernist Film Practice in Australia
Studies in Australasian Cinema
Subjects:
- Shining a Light : 50 Years of the Australian Film Institute 2009 single work criticism
- Stork 1971 single work film/TV
- The Adventures of Barry McKenzie 1972 single work film/TV
- Alvin Purple 1973 single work film/TV
- Picnic at Hanging Rock 1975 single work film/TV
- The Cars That Ate Paris 1974 single work film/TV
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