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Issue Details: First known date: 2011... 2011 'White Aboriginals' : White Australian Literary Responses to the Challenge of Indigenous Histories
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'Chapter 4 examines the phenomenon of the 'white Aboriginal,' a putative figure of cultural synthesis as proclaimed in Germaine Greer's maverick manifesto Whitefella Jump Up (2003). However, in texts such as Patrick White's A Fringe of Leaves (1976) and David Malouf's Remembering Babylon (1993), Liam Davison's The White Woman (1994), and Stephen Gray's The Artist is a Thief (2001), the 'white Aborigine' figure progressively modulates into a sign of appropriation rather than of reconciliation.' (From author's introduction, 12)

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Part of this chapter was originally published in Konversionen. Fremderfahrungen in ethnologischer und interkultureller Perspektive, ed. DÄRMANN, Iris, Steffi HOBUß, Ulrich LÖLKE (Amsterdam, Rodopi, 2004)
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    y separately published work icon Imaginary Antipodes : Essays on Contemporary Australian Literature and Culture Russell West-Pavlov , Heidelberg : Winter Verlag , 2011 Z1819744 2011 selected work criticism 'How can contemporary Australian literature and culture be ‘imagined’ from abroad? What particular refractions may emerge out of an expatriate reflection upon Antipodean literature and culture? This collection of essays summarizes fifteen years’ work done from an explicitly European perspective. The unashamedly outside perspective these essays present envisages a largely ‘imaginary Antipodes’ whose character is regarded from four distinct angles: indigenous literary production, white settler identities, migrant destinies, and the global construction of Australian literature, thereby gesturing towards the transnational perspective that furnishes the framing rationale for the collection itself. The thirteen essays range over a broad selection of literary and filmic texts, from classics such as Patrick White and Crocodile Dundee, via Castro, Davison, Fremd, Gooneratne, Grenville, Hall, Hospital, Lawrence, McGahan, Malouf, Martin, Morgan, Scott, Teo, or Yasbincek, through to wider issues such as indigenous poetry, the post-Mabo ‘history wars’ of the 1990s, and the global translation of Australian literature' (Publisher blurb). Heidelberg : Winter Verlag , 2011 pg. 71-86
Last amended 25 Sep 2012 15:16:13
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