AustLit
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
AbstractHistoryArchive Description
'Set on the Gold Coast, WALK THE TALK follows the story of Joey Grasso, a highly motivated and powerfully self-deluded young talent agent on his quest to resurrect the career of a faded club singer.'
Source: Screen Australia.
Affiliation Notes
-
Writing Disability in Australia
Type of disability Paraplegia. Type of character Primary. Point of view Third person.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Crime Capital of Australia : The Gold Coast on Screen
2012
single work
criticism
— Appears in: Studies in Australasian Cinema , March vol. 5 no. 3 2012; (p. 281-292) 'The Gold Coast has a crime problem, which will not come as a surprise to the viewers of the films and television programmes that feature Australia's sixth largest city. The vast majority of material set on the Gold Coast has criminal themes. The Gold Coast is an imagined city created, to a large degree, by a multiplicity of moving image artefacts produced by visitors. From the miles of amateur footage shot by tourists to pseudo-Hollywood blockbusters, the Gold Coast exists as a surf and sun paradise, at least in the minds of audiences around the world. However, analysis of a variety of moving image products suggests that not far behind the glitz and glamour of the beach-based boosterism is the grimy flip side of crime, corruption and desperation. This imagined paradise is encircled by sharks, both from the sea and the land. But the crime themes explored so far by the Gold Coast film industry do not address the real transgressions on which the city is founded, neither the deals that saw a city built on sand and swamp nor the dispossession of the original inhabitants.' (Editor's abstract)
-
Walk The Talk
2001
single work
criticism
— Appears in: Senses of Cinema , April-May no. 13 2001; 'Shirley Barrett's first film, Love Serenade (1995), featured one of the most memorable characters in recent Australian cinema: the burnt-out radio announcer Ken Sherry (George Shuksov), a long-nosed, grizzled '70s throwback with a taste for Barry White songs and a hilariously sleazy line in seductive patter. About halfway through the film, the two sisters competing for Ken's affections (played by Rebecca Frith and Miranda Otto) make an extraordinary discovery: on either side of Ken's ears are strange openings that resemble gills. Ken Sherry, in other words, is not just a fishy character. In some mysterious but literal sense, Ken is a fish.' (Author's introduction)
-
Star Turn
2000
single work
column
— Appears in: Brisbane News , 19 - 25 July no. 310 2000; (p. 24-25)
-
Walk The Talk
2001
single work
criticism
— Appears in: Senses of Cinema , April-May no. 13 2001; 'Shirley Barrett's first film, Love Serenade (1995), featured one of the most memorable characters in recent Australian cinema: the burnt-out radio announcer Ken Sherry (George Shuksov), a long-nosed, grizzled '70s throwback with a taste for Barry White songs and a hilariously sleazy line in seductive patter. About halfway through the film, the two sisters competing for Ken's affections (played by Rebecca Frith and Miranda Otto) make an extraordinary discovery: on either side of Ken's ears are strange openings that resemble gills. Ken Sherry, in other words, is not just a fishy character. In some mysterious but literal sense, Ken is a fish.' (Author's introduction)
-
Star Turn
2000
single work
column
— Appears in: Brisbane News , 19 - 25 July no. 310 2000; (p. 24-25) -
Crime Capital of Australia : The Gold Coast on Screen
2012
single work
criticism
— Appears in: Studies in Australasian Cinema , March vol. 5 no. 3 2012; (p. 281-292) 'The Gold Coast has a crime problem, which will not come as a surprise to the viewers of the films and television programmes that feature Australia's sixth largest city. The vast majority of material set on the Gold Coast has criminal themes. The Gold Coast is an imagined city created, to a large degree, by a multiplicity of moving image artefacts produced by visitors. From the miles of amateur footage shot by tourists to pseudo-Hollywood blockbusters, the Gold Coast exists as a surf and sun paradise, at least in the minds of audiences around the world. However, analysis of a variety of moving image products suggests that not far behind the glitz and glamour of the beach-based boosterism is the grimy flip side of crime, corruption and desperation. This imagined paradise is encircled by sharks, both from the sea and the land. But the crime themes explored so far by the Gold Coast film industry do not address the real transgressions on which the city is founded, neither the deals that saw a city built on sand and swamp nor the dispossession of the original inhabitants.' (Editor's abstract)
Last amended 25 Feb 2019 16:00:17
Export this record
