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Oz-Ko single work   poetry   "Pattern recognition algorithms only give us ‘fuzzy’ matches,"
Issue Details: First known date: 2011... 2011 Oz-Ko
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Notes

  • Includes a parallel translation: English and Korean (Hangul)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Cordite Poetry Review Oz-Ko (Hoju-Hanguk) vol. 35 no. 1 May 2011 Z1782183 2011 periodical issue 2011
VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()

Works about this Work

Magazine #2 : More Cordite 35 : OZ Ko Michael Farrell , 2011 single work criticism
— Appears in: Jacket2 2011; 'Since the proliferation of internet magazines it seems there has been a corresponding proliferation of visual poetry. I'm not sure why. That colour reproduction isn't a money issue is perhaps one, and that we have stopped seeing the visual aspect of text in print. The internet wants to be a movie. One aspect of reading visual poems online is that of movement and perspective. I'm not talking about flash poems or other dynamics such as hypertext, but the way we might view an ostenisbly static work, like Sebastian Gurciullo's 'Pattern Recognition 2', published in cordite's Oz-Ko issue.' (Author's introduction)
Magazines #1 : Cordite 35 : Oz-Ko Michael Farrell , 2011 single work review
— Appears in: Jacket2 2011;
— Review of Oz-Ko David Prater , 2011 single work poetry
Magazines #1 : Cordite 35 : Oz-Ko Michael Farrell , 2011 single work review
— Appears in: Jacket2 2011;
— Review of Oz-Ko David Prater , 2011 single work poetry
Magazine #2 : More Cordite 35 : OZ Ko Michael Farrell , 2011 single work criticism
— Appears in: Jacket2 2011; 'Since the proliferation of internet magazines it seems there has been a corresponding proliferation of visual poetry. I'm not sure why. That colour reproduction isn't a money issue is perhaps one, and that we have stopped seeing the visual aspect of text in print. The internet wants to be a movie. One aspect of reading visual poems online is that of movement and perspective. I'm not talking about flash poems or other dynamics such as hypertext, but the way we might view an ostenisbly static work, like Sebastian Gurciullo's 'Pattern Recognition 2', published in cordite's Oz-Ko issue.' (Author's introduction)
VIEW ALL WORKS ABOUT (2)
Last amended 10 Aug 2011 08:58:26
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