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Issue Details: First known date: 2010... 2010 Postcolonial Issues in Australian Literature
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Contents

* Contents derived from the Youngstown, New York (State),
c
United States of America (USA),
c
Americas,
:
Cambria Press , 2010 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Reading Post-Colonial Australia, Bill Ashcroft , single work criticism (p. 15-37)
Jack Lindsay, Patrick White, and Postcolonial Medievalism, Nicholas Birns , single work criticism (p. 41-54)
The Postcolonial Perspective on an Regional Literature in Australia, Per Henningsgaard , single work criticism (p. 57-74)
‘Thick with Coded Testaments’ : Representations of Postcolonial Space in Janette Turner Hospital’s Oyster, Nicholas Dunlop , single work criticism (p. 75-92)
Spaces of Hybridity : Creating a Sense of Belonging through Spatial Awareness, Lesley Hawkes , single work criticism (p. 93-107)
The Unbearable (Im)Possibility of Belonging : Andrew McGahan’s The White Earth, Martina Horáková , single work criticism
This chapter explores ‘the ‘postcolonial uncertainty’ of settler belonging from the purely outsider’s perspective of someone who does not live in Australia but is nevertheless intrigued by the apparently disturbing dilemma of non-Indigenous Australians attempting to articulate a fulfilling relationship to their land.’ (p 110)
(p. 109-128)
The Sorry Novels : Peter Carey’s Oscar and Lucinda, Greg Matthews’ The Wisdom of Stones and Kate Grenville’s The Secret River, Rebecca Weaver-Hightower , single work criticism (p. 129-156)
Need I Repeat? : Settler Colonial Biopolitics and Postcolonial Iterability in Kim Scott’s Benang, Michael R. Griffiths , single work criticism (p. 157-183)
Negotiating Subjectivity : Indigenous Feminist Praxis and the Politics of Aboriginality in Alexis Wright’s Plains of Promise and Melissa Lucashenko’s Steam Pigs, Tomoko Ichitani , single work criticism (p. 185-202)
“[P]eople Often Judged by What They Feared or Knew Existed in Themselves” : A Postcolonial Critique of Disability in Elizabeth Jolley’s The Well, Kate Ellis , single work criticism (p. 203-218)
Revisiting Australia : Historical Fabrications, Telling Histories/Stories and Other Colonial Delusions in Peter Carey’s My Life as a Fake, Sarah Zapata , single work criticism (p. 219-236)
The Postcolonial Screen : Elaborate Forgeries in Rodney Hall’s The Second Bridegroom, Peter Mathews , single work criticism (p. 237-253)
Colonial Knowledge, Post-Colonial Poetics, Lyn McCredden , single work criticism (p. 255-277)
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