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AbstractHistoryArchive Description
'Shooting your first film can be murder...
'Hannie Reynard has landed every aspiring filmmaker's dream: a hefty grant to make her documentary, Freaks or Frauds. But the groundbreaking film that is meant to launch Hannie's career may kill her first.
'Blowing the grant money on a lost weekend in Paris was bad enough, but now the 'stars' of her film - women who share a unique genetic trait - have stopped talking...and started disappearing.
'Blackmailed into accepting a burned out colleague as her cameraman, Hannie follows a perilous trail that leads her and her crew toward a powerful puppet master with a deadly obsession.' (Publication summary)
Notes
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Dedication: Dedicated to the memory of my aunt, Natchie Rimmer.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Fantasy Authors Find That Crime Does Pay After All
2013
single work
column
— Appears in: The Age , 4 April 2013; (p. 15) The Age , 6 April 2013; (p. 22) -
Alison Goodman Returns to the Scene of the Crime
2013
single work
column
— Appears in: Writing Queensland , May no. 229 2013; (p. 14)
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Fantasy Authors Find That Crime Does Pay After All
2013
single work
column
— Appears in: The Age , 4 April 2013; (p. 15) The Age , 6 April 2013; (p. 22) -
Alison Goodman Returns to the Scene of the Crime
2013
single work
column
— Appears in: Writing Queensland , May no. 229 2013; (p. 14)
Awards
- 2007 shortlisted Davitt Award — Best Adult Crime Novel
Last amended 27 Feb 2018 08:06:13
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