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AbstractHistoryArchive Description
Contents
- Introduction : Dorothy Hewett's Early Writings, single work biography (p. xiii-xl)
- Dorothy Hewett the Young Playwright, single work biography (p. xli-xlix)
- The Gipsy Dancer : A Play, single work drama (p. 2-17)
- Gipsy Dreamsi"When I am so quietly sleeping", single work poetry (p. 2-3)
- The Charm of the Woodlandsi"It is made from glittering stardust", single work poetry (p. 19)
- Fairies in the Gardeni"Fairies in the garden dancing everywhere,", single work poetry (p. 19)
- Fairy Hammocksi"See the fairy hammocks swinging in the sky,", single work poetry (p. 20)
- Lullabyi"Sleepy bye, sleepy bye.", single work poetry (p. 21)
- Shadowsi"When I am tucked in bed on nights,", single work poetry (p. 22)
- Dreamingi"I'm sitting up here in the old gum tree,", single work poetry (p. 24-26)
- Before We Begin...i"Little black BILLAI, BAMBA from Broome,", single work poetry (p. 29)
- The Magic Mia-Miai"White-feller dream-children, in the fire", single work poetry (p. 30)
- Windyi"Sitting in the sand", single work poetry (p. 31)
- Windy's Songi"Black swans fly", single work poetry (p. 32-33)
- Piccaninniesi"Fat black babies", single work poetry (p. 34-35)
- Billaii"Over desert ranges", single work poetry (p. 36-37)
- Honey Joei"Outside the mia-mia", single work poetry (p. 38-39)
- Gold Miningi"The little stones sit", single work poetry (p. 40-41)
- Little Brown Bambai"Little Brown Bamba", single work poetry (p. 42-43)
- Windy's Stari"Windy has a white star", single work poetry (p. 44)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
The Wild Workshop : The Ghost of a Brontëan Childhood in the Life of Dorothy Hewett
2019
single work
essay
— Appears in: Cordite Poetry Review , 1 February no. 89 2019;An indelible part of the Brontë mythology is their symbiotic development as young artists in an isolated environment. Some time ago, Juliet Barker’s biographical scholarship on the culture at the parsonage and the Brontë siblings’ lives in Haworth has questioned that isolation in terms of the rich resources available to the Brontës siblings and a family culture that strongly encouraged their imaginative and artistic development. More recently, director Sally Wainwright’s TV movie To Walk Invisiblehas meticulously recreated the dynamic relationship between the Brontës’ childhood fantasy worlds and their adult writing, along with the strategic ways in which the three sisters built a professional path towards their lives as novelists directly through their sibling bonds. Wainwright’s interpretation of the sisters’ creative lives has gone some way in recovering both the weirdness and the ordinariness of the Brontës in it they seem closer (more graspable) than in any recreation of their lives encountered before.' (Introduction)
-
'Right from the Beginning'
2010
single work
review
— Appears in: Southerly , vol. 70 no. 2 2010; (p. 205-208)
— Review of The Gipsy Dancer and Early Poems 2009 selected work poetry
-
'Right from the Beginning'
2010
single work
review
— Appears in: Southerly , vol. 70 no. 2 2010; (p. 205-208)
— Review of The Gipsy Dancer and Early Poems 2009 selected work poetry -
The Wild Workshop : The Ghost of a Brontëan Childhood in the Life of Dorothy Hewett
2019
single work
essay
— Appears in: Cordite Poetry Review , 1 February no. 89 2019;An indelible part of the Brontë mythology is their symbiotic development as young artists in an isolated environment. Some time ago, Juliet Barker’s biographical scholarship on the culture at the parsonage and the Brontë siblings’ lives in Haworth has questioned that isolation in terms of the rich resources available to the Brontës siblings and a family culture that strongly encouraged their imaginative and artistic development. More recently, director Sally Wainwright’s TV movie To Walk Invisiblehas meticulously recreated the dynamic relationship between the Brontës’ childhood fantasy worlds and their adult writing, along with the strategic ways in which the three sisters built a professional path towards their lives as novelists directly through their sibling bonds. Wainwright’s interpretation of the sisters’ creative lives has gone some way in recovering both the weirdness and the ordinariness of the Brontës in it they seem closer (more graspable) than in any recreation of their lives encountered before.' (Introduction)