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Issue Details: First known date: 2009... 2009 Manifesto of the Senses : Blind Sightedness in Christina Stead's For Love Alone
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'What I aim to show in this essay is how and with what personal and political force the narrative re-presents the reading process itself, how it demands the reader's active co-operation and interpretation, to the point of entrapping us in blindness - or rather in a blind sightedness - that doubles that of its protagonist, Teresa Hawkins. In so doing, the novel performs the questions it poses about romance and realism, idealism and materialism, and conveys, inter alia, its response to mid-twentieth century debates about the literature of revolution.' (53-54)

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    y separately published work icon Australian Literary Studies Manifesting Australian Literary Feminisms vol. 24 no. 3-4 October/November 2009 Z1668274 2009 periodical issue 2009 pg. 53-65
Last amended 11 Feb 2010 11:54:29
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