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AbstractHistoryArchive Description
Contains detailed readings of several poems and discusses comedy in Harwood's work and the use of alter egos Krote and Eisenbart.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Boundaries and the Littoral: Gwen Harwood's Critics
1993
single work
review
— Appears in: Meridian , October vol. 12 no. 2 1993; (p. 186-190)
— Review of The Poetry of Gwen Harwood 1991 selected work criticism ; Boundary Conditions : The Poetry of Gwen Harwood 1992 single work criticism -
Official Criticism? Critical Practices and Australian Poetry
1993
single work
criticism
— Appears in: Australian Literary Studies , October vol. 16 no. 2 1993; (p. 140-151) -
Different Keys Different Tempos
1992
single work
review
— Appears in: Island , Spring no. 52 1992; (p. 62-66)
— Review of The Poetry of Gwen Harwood 1991 selected work criticism ; Boundary Conditions : The Poetry of Gwen Harwood 1992 single work criticism ; Gwen Harwood : The Real and the Imagined World 1991 single work criticism biography -
Untitled
1991
single work
review
— Appears in: Preludes : A Literary Annual , November no. 7 1991; (p. 21-26)
— Review of The Poetry of Gwen Harwood 1991 selected work criticism ; Gwen Harwood : The Real and the Imagined World 1991 single work criticism biography -
The Poetry of Gwen Harwood
1991
single work
review
— Appears in: Overland , Spring no. 124 1991; (p. 91-93) The Poetic Eye : Occasional Writings 1982-2012 2016; (p. 281-283)
— Review of The Poetry of Gwen Harwood 1991 selected work criticism ; Gwen Harwood : The Real and the Imagined World 1991 single work criticism biography 'Gwen Harwood's poetry seems to me distinctly accessible on account of its frequent address to a reader. I admire her cool narrative and dramatic experiments, her clever allusions to other artists' productions in a continuum of recording what it is to be alive and thinking of art and death.' (Introduction)
-
The Poetry of Gwen Harwood
1991
single work
review
— Appears in: Overland , Spring no. 124 1991; (p. 91-93) The Poetic Eye : Occasional Writings 1982-2012 2016; (p. 281-283)
— Review of The Poetry of Gwen Harwood 1991 selected work criticism ; Gwen Harwood : The Real and the Imagined World 1991 single work criticism biography 'Gwen Harwood's poetry seems to me distinctly accessible on account of its frequent address to a reader. I admire her cool narrative and dramatic experiments, her clever allusions to other artists' productions in a continuum of recording what it is to be alive and thinking of art and death.' (Introduction) -
Untitled
1991
single work
review
— Appears in: Preludes : A Literary Annual , November no. 7 1991; (p. 21-26)
— Review of The Poetry of Gwen Harwood 1991 selected work criticism ; Gwen Harwood : The Real and the Imagined World 1991 single work criticism biography -
Different Keys Different Tempos
1992
single work
review
— Appears in: Island , Spring no. 52 1992; (p. 62-66)
— Review of The Poetry of Gwen Harwood 1991 selected work criticism ; Boundary Conditions : The Poetry of Gwen Harwood 1992 single work criticism ; Gwen Harwood : The Real and the Imagined World 1991 single work criticism biography -
Boundaries and the Littoral: Gwen Harwood's Critics
1993
single work
review
— Appears in: Meridian , October vol. 12 no. 2 1993; (p. 186-190)
— Review of The Poetry of Gwen Harwood 1991 selected work criticism ; Boundary Conditions : The Poetry of Gwen Harwood 1992 single work criticism -
Official Criticism? Critical Practices and Australian Poetry
1993
single work
criticism
— Appears in: Australian Literary Studies , October vol. 16 no. 2 1993; (p. 140-151)
Last amended 24 Jan 2023 14:54:34
