'Some of the best, most significant writing produced in Australia over more than two centuries is gathered in this landmark anthology. Covering all genres - from fiction, poetry and drama to diaries, letters, essays and speeches - the anthology maps the development of one of the great literatures in English in all its energy and variety.
'The writing reflects the diverse experiences of Australians in their encounter with their extraordinary environment and with themselves. This is literature of struggle, conflict and creative survival. It is literature of lives lived at the extremes, of frontiers between cultures, of new dimensions of experience, where imagination expands.
'This rich, informative and entertaining collection charts the formation of an Australian voice that draws inventively on Indigenous words, migrant speech and slang, with a cheeky, subversive humour always to the fore. For the first time, Aboriginal writings are interleaved with other English-language writings throughout - from Bennelong's 1796 letter to the contemporary flowering of Indigenous fiction and poetry - setting up an exchange that reveals Australian history in stark new ways.
'From vivid settler accounts to haunting gothic tales, from raw protest to feisty urban satire and playful literary experiment, from passionate love poetry to moving memoir, the Macquarie PEN Anthology of Australian Literature reflects the creative eloquence of a society.
'Chosen by a team of expert editors, who have provided illuminating essays about their selections, and with more than 500 works from over 300 authors, it is an authoritative survey and a rich world of reading to be enjoyed.' (Publisher's blurb)
Allen and Unwin have a YouTube channel with a number of useful videos on the Anthology.
Described by Dorothy Hewett in her 1979 Hecate article as 'a romantic comedy, written around the principles of celebration and reconciliation... with love and the realisation of love... central to the story' (78), The Man From Mukinupin also deals with the juxtaposition of surface aspects of life and those which lie beneath the surface. The narrative concerns the courtship and eventual marriage of Polly and Jack, along with their doubles Lily and Harry. The two couples lives, played out in the mythical Western Australia wheat belt town of Mukinupin, are starkly contrasted. Jack and Polly belong to the seemingly respectable and conventional daytime society. Polly, is a double figure - an "about to be disappointed in love an life girl" but for whom everything does come out roses. Her other self is Lily (Touch-of-the-Tar), represents the outsider and outcast. Although Lily and Harry roam the dark netherworld of night-time Mukinupin, she too is able to realise her dream, to escape from the narrow little bush town with her lover. In contrast to these four are the grotesque characters, Widow Tuesday, the Black Widow of Mukinupin who delights in death and destruction; and Edie Perkins, the old lady who recites snatches of Victorian poetry. In discussing the role of her female characters Hewett indicates that the thematic struggle mostly lies within the range of the women : 'They are the most aware of the predicament and are the most violently affected by it' ('Creating Heroines', p79).