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'Smalltown is a view of the Australia we politely ignore.
'In this rich and austere collaboration, photographer Marin Mischkulnig has joined writer Tim Winton to produce a meditation on the peculiar collision of beauty and ugliness that characterises our far-flung towns.
'Without pulling any punches, this is an affectionate, exasperated take on "fugliness and the smalltown shambolic" where both photographer and writer create a stark beauty, despite the sad conviction that 'there is nothing so bleak and forbidding in country Australia as the places humans have built there".
'By showing us the bizarre and funny and sometimes stubborn hope of people who live in desolate circumstances, they invite us to wonder about what we build and how it affects our communities. What does it say about us that we build places "just" to live or work in? Is beauty a luxury we don't believe we can afford? Is hardiness enough to sustain people, or does it finally limit the imagination?
'Smalltown is a beautiful book about ugliness. It might change the way you see Australia.' (From the publisher's website.)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Complicating Nation : Assemblage Theory, Heterogeneity and the Visions of Australia Program
2015
single work
criticism
— Appears in: Axon : Creative Explorations , November vol. 5 no. 2 2015; 'The Visions of Australia program, established in 1994, plays a significant role in the touring of exhibitions from, and to, regional and interstate locations across Australia. Through an examination of Round 32 of the Visions of Australia program this article explores the intersection of localities in the conception of a national culture. Focusing on the exhibitions MAYS, Australian Minescapes, Smalltown and Robert Dowling it illustrates that assemblage theory presents an alternative conception of national culture that focuses upon relationships and networks, as opposed to a traditional conception of a set society and culture. Within the framework of Latour’s ‘society of assemblages’ it concludes that these exhibitions operate within a heterogeneous national culture that is continually redefined and reoriented through a spectrum of external and internal relationships.' (Publication summary) -
Outback Sojurn in Images and Words
2011
single work
column
— Appears in: The Canberra Times , 17 December 2011; (p. 22) -
There's No Place Like Home
2010
single work
review
— Appears in: The Australian Literary Review , March vol. 5 no. 2 2010; (p. 18-19)
— Review of The Blue Plateau : A Landscape Memoir 2009 single work prose ; Smalltown 2009 single work prose -
Desolation as Made By Men and Women
2009
single work
column
— Appears in: The Australian , 17 December 2009; (p. 17) -
Meet the Fugly Australians
2009
single work
review
— Appears in: The Sydney Morning Herald , 5-6 December 2009; (p. 33)
— Review of Smalltown 2009 single work prose
-
Outback Myths Laid Bare
2009
single work
review
— Appears in: The Age , 9 October 2009; (p. 16)
— Review of Smalltown 2009 single work prose -
Odd Towns Captured in a Blink
2009
single work
review
— Appears in: The Courier-Mail , 10 -11 October 2009; (p. 2)
— Review of Smalltown 2009 single work prose -
Pictorial
2009
single work
review
— Appears in: The Age , 24 October 2009; (p. 25)
— Review of Smalltown 2009 single work prose -
Meet the Fugly Australians
2009
single work
review
— Appears in: The Sydney Morning Herald , 5-6 December 2009; (p. 33)
— Review of Smalltown 2009 single work prose -
There's No Place Like Home
2010
single work
review
— Appears in: The Australian Literary Review , March vol. 5 no. 2 2010; (p. 18-19)
— Review of The Blue Plateau : A Landscape Memoir 2009 single work prose ; Smalltown 2009 single work prose -
Desolation as Made By Men and Women
2009
single work
column
— Appears in: The Australian , 17 December 2009; (p. 17) -
Outback Sojurn in Images and Words
2011
single work
column
— Appears in: The Canberra Times , 17 December 2011; (p. 22) -
Complicating Nation : Assemblage Theory, Heterogeneity and the Visions of Australia Program
2015
single work
criticism
— Appears in: Axon : Creative Explorations , November vol. 5 no. 2 2015; 'The Visions of Australia program, established in 1994, plays a significant role in the touring of exhibitions from, and to, regional and interstate locations across Australia. Through an examination of Round 32 of the Visions of Australia program this article explores the intersection of localities in the conception of a national culture. Focusing on the exhibitions MAYS, Australian Minescapes, Smalltown and Robert Dowling it illustrates that assemblage theory presents an alternative conception of national culture that focuses upon relationships and networks, as opposed to a traditional conception of a set society and culture. Within the framework of Latour’s ‘society of assemblages’ it concludes that these exhibitions operate within a heterogeneous national culture that is continually redefined and reoriented through a spectrum of external and internal relationships.' (Publication summary)