AustLit
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
AbstractHistoryArchive Description
'Set in the Balkans, East Timor and Iraq, against the complex terrain of contemporary photojournalism, "Bare Witness" scrutinises the way we view our humanity - through the fragmenting lens of the media. Searching for the pieces of herself lost to years in the field, a young Australian woman is at a point when thrusting the camera between herself and her subjects ceases to protect her. Photographs, memories and dreams collide in a physical multi-media performance that follows a pack of complicated, flawed characters who share the unbreakable bond of war journalists.'
Source fortyfivedownstairs website, www.fortyfivedownstairs.com (Sighted 13/09/2010)
Affiliation Notes
-
This work is affiliated with the AustLit subset Asian-Australian Children's Literature and Publishing because it is set in East Timor, and Iraq.
Production Details
-
First produced by fortyfivedownstairs and La Mama at fortyfivedownstairs theatre, Melbourne, Victoria, 10 - 26 September, 2010. Directed by Nadja Kostich.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Direct Address as Action and Effect in Bare Witness and Beyond the Neck
2013
single work
criticism
— Appears in: Australasian Drama Studies , April no. 62 2013; (p. 163-178, 223) -
War in a New Light
2012
single work
review
— Appears in: The Canberra Times , 9 November 2012; (p. 4)
— Review of Bare Witness 2005 single work drama -
The Shocking Truth
2012
single work
column
— Appears in: The Canberra Times , 8 November 2012; (p. 5) -
Unheard Sufferings for Art
2012
single work
column
— Appears in: The Canberra Times , 29 October 2012; (p. 9) -
Untitled
2010
single work
review
— Appears in: The Sunday Age , 19 September 2010; (p. 19)
— Review of Bare Witness 2005 single work drama
-
A Question of Truth, and a Camera's Lies
2010
single work
review
— Appears in: The Age , 14 September 2010; (p. 14)
— Review of Bare Witness 2005 single work drama -
Untitled
2010
single work
review
— Appears in: The Sunday Age , 19 September 2010; (p. 19)
— Review of Bare Witness 2005 single work drama -
War in a New Light
2012
single work
review
— Appears in: The Canberra Times , 9 November 2012; (p. 4)
— Review of Bare Witness 2005 single work drama -
Unheard Sufferings for Art
2012
single work
column
— Appears in: The Canberra Times , 29 October 2012; (p. 9) -
The Shocking Truth
2012
single work
column
— Appears in: The Canberra Times , 8 November 2012; (p. 5) -
Direct Address as Action and Effect in Bare Witness and Beyond the Neck
2013
single work
criticism
— Appears in: Australasian Drama Studies , April no. 62 2013; (p. 163-178, 223)
Awards
- 2008 shortlisted Patrick White Playwrights' Award
- 2005 winner R. E. Ross Trust Playwrights' Script Development Award
Last amended 6 Mar 2013 13:21:08
Subjects:
Settings:
- Balkans, Europe,
-
cTimor-Leste,cSoutheast Asia, South and East Asia, Asia,
-
cIraq,cMiddle East, Asia,
Export this record