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y separately published work icon Club Life single work   musical theatre   opera   - 2 acts
Issue Details: First known date: 1895... 1895 Club Life
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AbstractHistoryArchive Description

The operetta's story unfolds within the smoking-room of the Cassewary Club, where the members have decided to discharge the waiters and take on waitresses instead. The newly engaged waitresses, who are actually society girls in disguise, turn the tables on the members, however. Those not intent on finding a rich husband seem to be keen to test 'the loyalty of their lovers or spying upon their peccant [sic] consorts.' This situation naturally calls for a number of social and intimate complications, matters which appear, according to the Sydney Morning Herald review, to move 'the action along brightly enough in the first act, and only begins to halt perceptibly in the second. At this point,' notes the critic, 'it becomes evident that a clever sketch which judiciously condensed would make a first-rate "lever de rideau" at the regular theatres, has been extended on the rack of an entire evening's entertainment. Still, slight though it might be, Club Life is always well written, and the lyrics are smart and generally to the point' (13 Dec. 1895, p6).

Songs known to have been written for the opera are 'In Our Society' (opening male chorus); 'All Things Come to the Man Who Waits' (sung by Miss Hixon, with the inference); 'Saveloy Duo' (Butler and Austin); 'We Parted in Those Olden Days' and My Love, Good Night' (Marks); 'Will You Have Me, Sweet?' (Weir and Marks); 'The Cigarette Song' (Weir) ; 'A Maiden Met' (Rose); 'Long Said the Old Man' (Gibson); and 'Human Vanity' (Gibson and Hixon).

The Herald's theatre critic wrote of Ernest Truman's music:

[He] can be as scientific as anyone when he likes, [but] has wisely devoted himself to melody. Where [Paterson has] lagged a little he seems to have taken up the running, so to speak; and whilst the first act does not lack good songs, it is in the second act that the best music, the more elaborate orchestration, has been forthcoming' (p6) If there was any major criticism of the music it seems to have been directed towards the orchestra, which was seen as the weakest link. In this respect the critic suggests that 'a true evaluation of the orchestration [was] difficult to judge' (p6).

Notes

  • Historical Notes and Corrections:

    • The Sydney Morning Herald's 9 November 1895 'Musical and Dramatic Notes' column announced that 'Mr Ernest E. Truman is making excellent progress with his new opera, and it is probable that a rehearsal will be held next week' (p.4). When the operetta premiered the following month, the crowded and fashionable audience included His Excellency Governor Hampden and Lady Hampden.

Production Details

  • 1895 : Criterion Theatre, Sydney, 12-13 December.

    Conductor/Music Director: Ernest Truman

    Chorus Master: W. J. Banks.

    Cast incl. Cecilia Marks (Mabel Valentine); Henry Weir (Freddy, Mabel's lover); Leonard Gibson (Sir Frederick Pottspoint); Miss Hixson (Lady Pottspoint); W. F. Hinchcliffe, R.N. (The Butler); Winnie Austin (Waitress); Alison Rose (Clara Valentine); George Clibborn (A Waiter); Captain Dangar (Club Secretary); W. Scott, (Member); Leslie Rolleston (Member); Mr Crabtree (Member); and Mrs Gibson, Miss Dangar, Miss Clibborn, Alice Cape, Elsie Cape, Miss Leary, Lizzie Marks, Miss Kemmis, Mabel Watson, Miss Weston, Miss Gillies, and Ellie Dangar (Waitresses).

  • This entry has been sourced from on-going historical research into Australian-written music theatre being conducted by Dr Clay Djubal.

Publication Details of Only Known VersionEarliest 2 Known Versions of

First known date: 1895
      ca. 1895 .
      Extent: 27p.
      Description: 1 score
      (Manuscript) assertion
      Note/s:
      • For solo voices, mixed chorus (SATB) and piano accompaniment.
      • Rough manuscript for chorus practice by W.J. Banks.

      Holdings

      Held at: State Library of NSW
      Local Id: NSL:D Q90/245

Works about this Work

New Opera - 'Club Life' 1895 single work review
— Appears in: The Sydney Morning Herald , 13 December 1895; (p. 6)

— Review of Club Life A. B. Paterson , 1895 single work musical theatre
New Opera - 'Club Life' 1895 single work review
— Appears in: The Sydney Morning Herald , 13 December 1895; (p. 6)

— Review of Club Life A. B. Paterson , 1895 single work musical theatre
Last amended 17 Feb 2014 10:55:58
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