'Tom Loxley is holed up in a remote bush shack trying to finish his book on Henry James when his beloved dog goes missing. What follows is a triumph of storytelling, as The Lost Dog loops back and forth in time to take the reader on a spellbinding journey into worlds far removed from the present tragedy.
'Set in present-day  Australia and mid-twentieth century India, here is a haunting, layered work that brilliantly counterpoints new cityscapes and their inhabitants with the untamed, ancient continent beyond. With its atmosphere of menace and an acute sense of the unexplained in any story, it illuminates the collision of the wild and the civilised, modernity and the past, home and exile.' (Publisher's blurb)
'This article relies on the tropes of trauma and gothic haunting to examine Michelle de Kretser's 'The Lost Dog' (2007), in which the protagonist's discarded Indianness allegorically parallels Australia's unwillingness to confront the ghosts of its past. As the novel and its critique of settler culture seem to suggest, the Australian nation should arguably develop alternative cultural paradigms that seek to accommodate both otherness and the most unwelcome aspects of its history, instead of repressing them.' (Publication abstract)
'This is the first in-depth, broad-based study of the impact of the Australian High Court’s landmark Mabo decision of 1992 on Australian fiction. More than any other event in Australia’s legal, political and cultural history, the Mabo judgement – which recognised indigenous Australians’ customary native title to land – challenged previous ways of thinking about land and space, settlement and belonging, race and relationships, and nation and history, both historically and contemporaneously. While Mabo’s impact on history, law, politics and film has been the focus of scholarly attention, the study of its influence on literature has been sporadic and largely limited to examinations of non-Aboriginal novels.
'Now, a quarter of a century after Mabo, this book takes a closer look at nineteen contemporary novels – including works by David Malouf, Alex Miller, Kate Grenville, Thea Astley, Tim Winton, Michelle de Kretser, Richard Flanagan, Alexis Wright and Kim Scott – in order to define and describe Australia’s literary imaginary as it reflects and articulates post-Mabo discourse today. Indeed, literature’s substantial engagement with Mabo’s cultural legacy – the acknowledgement of indigenous people’s presence in the land, in history, and in public affairs, as opposed to their absence – demands a re-writing of literary history to account for a “Mabo turn” in Australian fiction. ' (Publication summary)
A column canvassing current literary news including a brief report about the judging of the Prime Minister's Literary Prize and a comment about the favourable response by a British writer to Michelle de Kretser's novel The Lost Dog.